“It sure would be nice to have a drone up there”

If George Orwell had lived to see how 1984 plays out in 2013, he would no doubt shake his head, marveling at how a novel he wrote in 1949 could come so close to reality. Senator Lindsay Graham, a South Carolina Republican (who may not gulp down Tea Party rhetoric but surely likes to sip some of its poison), was interviewed yesterday in the Washington Post before the second suspect in the Boston Marathon bombing was caught. His intent, as reported in the article, seemed more to downgrade the libertarian Rand Paul than to offer any kind of constructive comment on the unfolding tragedy of the bombing.

In his senate filibuster, Senator Paul had argued that America is not a battlefield, so Graham used his senatorial perch to argue “It’s a battlefield because the terrorists think it is.” Really? When exactly did a terrorist act, not an attack from another country or an armed insurrection from within, define what a “battlefield” is? Yorktown was a battlefield in 1781; Gettysburg in 1863; Normandy in 1944. If the sadistic setting of bombs targeted at civilians proves that America is a battlefield, then what about Waco in 1993 or Oklahoma City in 1995 or even the hijackings that led to the destruction of the Twin Towers in 2001? When a battle is fought in war there are battlefields stained with the blood of combatants and often civilians as well; when a terrorist detonates a bomb it is a criminal act no less than when a disturbed 20-year old walks into an elementary school in Newtown, Connecticut and shoots 20 children and 6 adults, after having killed his own mother. If every act of violence defines a battlefield, there can be no peace anywhere. Continue reading “It sure would be nice to have a drone up there”

لبنا نيّا ت #٣


 



Part 3 of a three-part trilogy by George N. El-Hage

أنا بيروتُ
حدّ ق في تكاويني
ألا تذكرْ؟
أنا بيروتْ …
أنا تاجُ السنين …
وزورقُ المرجانِ … والياقوت
والمرمرْ
أنا بيروتُ … هل تذكرْ؟ ….
 
عروسُ عرائسِ المدنِ
وأمُّ الحرفِ …. والسفنِ
أنا وطنُ الذي يشتاقُ للوطنِ
ألا تذكرْ؟
أنا بيروتُ … تعرفُني
فلا تنكرْ
ربيعَ الفكرِ… والأوتارِ … والأسطرْ
أنا حُلوةْ
أنا أحلى …
وكَم سَافرتَ في عينيَّ  كي تسهرْ
وفي شَعري …. وفي صدري
إذا ما شرقنا  هبَّت عليه
الريحُ …. أو أمطرْ
أنا بيروتُ … هل تذكرْ؟ …

وأمس أفقتُ
أمس أفقتُ
لا وجهي ولا اسمي
كما كانا …
ولا شَعري… ولا صدري
كما كانا
رأيتُ الرعبَ يرسمُ فيّ
أشكالاً … وألوانا …
ولم أعرفْ سوى أنّي
ضُربتُ … وليس من سَببِ
وكدتُ أموتُ من تعبي
وجرّوني إلى الساحاتِ
عرَّوني ….
سُلِبْتُ بكارتي منّي
أُهِنتُ …
أُخذتُ بالظنِّ …
أرادوني
عَروسَ الساحرِ الأكبرْ،
عَروسِ الساحرِ الأحمرْ …
وساقوني
إلى الحاكمْ
زعيمِ الحمْرِ … والبربرْ …
ولم يدروا بأنَّ اللهَ
في بيروتَ لن يٌقهرْ ….
أنا بيروتُ … يا اللهُ !
هل تذكُرْ؟ …

سأبقى، رُغمَ أحزاني
ورُغمَ الجرحِ
في وجهي وإنساني،
بحجمِ الشرقِ
إنَّ الشرقَ …. أدماني
بحجمِ الحبّ
إن الحبَّ لبناني
بِحَجم الحقِّ
إنِّ الحقّ لبناني.


For part 2, click here.

What is Terrorism?


by Laura Beth Nielsen, Al Jazeera Opinion, April 17, 2013

The Boston Marathon bombing once again has Americans asking, “Is this terrorism?” And more broadly, “What is terrorism?”

We asked ourselves those questions the moment we heard the news. Our news anchors asked for the next 24 hours (though they were clear to say at first that they did not know if it was terrorism). President Obama – thankfully – was careful not to use the word in his first press conference on the day of the bombings. But later on the following day – on Tuesday – Obama said, “Any time bombs are used to target civilians, it is an act of terrorism.”

What does it mean when we say something is “terrorism” and why does it matter?

As a professor of Sociology and Law, I study how ordinary people understand the law and how the law itself, including law’s categories and terms affect how people understand the world around them.

Using terms like “terrorism” shapes what ordinary people expect of the police, the justice system and our government. It affects what kind of punishment we want and the level of fear we feel about what is going on around us.

But what is terrorism? The most obvious definition is that terrorism is a crime meant to terrorise. We know what these kinds of crimes are: they are the kind that make us afraid to send our children to school, like Columbine; make us afraid to go to work, like 9/11; or make us afraid even just to spend beautiful spring day competing with our friends competing in a footrace. Continue reading What is Terrorism?

Fatima’s Head

By Ziad Majed, al-Jadid

It is hard to imagine what happened to Fatima,* and it is hard to describe the silence that engulfed the witnesses of her death. I think the artistic works on Facebook that restored her head and depicted a rose garden or the moon or the sun have tried to compensate for that terrible silence and ease the pain of Fatima and her loved ones and all of us together.

What can be done to a Syrian child who “lost” her head?! And what can be said to a girl sprawled in her dress on the ground, arms spread wide, her small, drooping shoulders clinging to the wall directly?

Fatima Maghlaj did not understand what happened to her; she was headless all of a sudden. In an instant she lost the ability to dream and focus. She was paralyzed. She wanted to feel the dryness of her throat and ask for water. She wanted to call mother or father, but she could not make the words with her tongue and she could not find their picture in her memory. She tried to look around her to reassure herself that she was sleeping in a safe place to wait until these strange feelings of emptiness had ended. But her eyes and eyebrows and eyelashes were out of reach, scattered in the emptiness of the cold room. She found nothing but a tuft of hair that her mother had combed in preparation for her uncle’s wedding that evening. Continue reading Fatima’s Head

Tabsir Redux: Sahara, My, My, but its Dry

Vaudeville loved Orientalism. By the time Valentino played The Sheik, images of Middle Eastern scenes were well represented on stage and in music. Some of the lyrics from this time period are very clever. My personal favorite is a prohibition song from 1920 called “Sahara, We’ll Soon Be Dry Like You,” sung by the great comic singer Billy Murray. To hear this original 1920 recording in a digital format, click here.

Here are the words. Why not click above and sing along…


Sahara (We’ll Soon Be Dry Like You)

Words by Alfred Bryan, Music by Jean Schwartz

Verse 1: King Rameses went to pieces seven thousand years ago,
And pass’d a law that Egypt must go dry.
He took the liquors from the “shickers” all the way to Jericho,
But kept his little toddy on the sly.
The desert of Sahara flow’d with honey so they say,
Till prohibition came along and dried it up one day. Continue reading Tabsir Redux: Sahara, My, My, but its Dry