Category Archives: Lithographs

Yemen Military in the early 19th century

The Library of Congress has an online print of an engraving by Andrea Bernieri. It does not appear to be based on an actual observation by the artist. Below is the description on the website:

This hand-colored engraving of a work by Andrea Bernieri (flourished 1826–42) depicts Yemeni horsemen with lances exercising in the courtyard of a fort. The horsemen are watched by a soldier holding a musket, and civilians are looking on in the foreground. Bernieri was one of the Italian artists who contributed works to a 15-volume set by Giulio Ferrario (1767-1847) entitled Il costume antico e moderno, o, storia del governo, della milizia, della religione, delle arti, scienze ed usanze di tutti i popoli antichi e moderni (Customs old and new, or the history of government, militia, religion, arts, sciences, and the ways of all nations, ancient and modern) published in Italy in 1823–38. Ferrario was a Milan publisher, printer and librarian whose monumental work contained more than 1,500 hand-colored plates depicting clothing from the classical period through the early 1800s, as well as many architectural drawings and engravings. The engraving appeared as plate 29 in Asia, volume 5 of Ferrario’s work. It is from the Anne S.K. Brown Military Collection at the Brown University Library.

Bernieri, Andrea, flourished 1826-1842.

I have not been able to find the exact match of the volume with the image above, although an edition from 1833 includes two engravings of Arabs of the Peninsula in a chapter that is primarily about Mecca. These come across as rather fanciful, especially the females with no veils. These images are attached below.

As pointed out by Noha Sadek, the military image above is a copy of an earlier image in an edition of Niebuhr’s travel account. Below is the earlier image it is based on from the 1774 French edition:

Images from the 19th century “Bible World”

There were many books written by Christian missionaries and clergy during the 19th century. While the text itself has long since been outdated, the engravings are still fascinating to look at. The illustrations here are from an 1875 book of Bible Manners and Customs by the Methodist-Episcopal preacher James M. Freeman. It is available for free on archive.org. But there is also a brand new edition currently in press for 2021 and already noted on Amazon. I attach several of the images below the book title.

Lithographic Camels

I am a fan of 19th century lithographs of images about the Middle East. One of the books with a plethora of such images is Story of the Bible Animals by the Rev. J. G. Wood, published in 1888 and available on archive.org. In the 700 pages of this book, the largest space (pp. 248-290) is devoted to the camel, drawing on traveler accounts. It is a fun read, full of all the Orientalist prejudices you might image. For example:

“As to the movement of the animal, it is at first as unpleasant as can be conceived, and has been described by several travellers, some of whose accounts will be here given. One well-known traveller declares that any person desiring to practice Camel-riding can readily do so by taking a music-stool, screwing it up as high as possible, putting it into a cart without springs, sitting on the top of it cross-legged, and having the cart driven at full speed transversely over a newly ploughed field.”

Abou Naddara Collection website

Welcome to the Abou Naddara Collection website!

This website offers the complete newspapers published by the Egyptian nationalist James Sanua (يعقوب صنوع, 1839-1912) from 1878 to 1910. In addition, formerly unpublished manuscripts by the same author, articles from newspapers of the period about the journalist and his oeuvre, as well as the decorations he received are also available. Most of the material was directly scanned from the originals published at the turn of the 19th to the 20th century, and therefore contains an ample variety of magnificent and colorful lithographs.

It was financed by the Cluster of Excellence “Asia and Europe in a Global Context” of Heidelberg University and realized in a collaboration of Project B1 “Gauging Cultural Asymmetries: Asian Satire and the Search for Identity in the Era of Colonialism and Imperialism” and the Visual Resources Team of the Cluster’s Heidelberg Research Architecture.

Tabsir Redux: The Last American, #2

There was a time when “Oriental Tales” were the rage of the age. Montesquieu penned Lettres Persanes in 1721 and Oliver Goldsmith followed up several decades later with The Citizen of the World. But I recently came across a late 19th century text about a future visit of a Persian Prince and Admiral to the ruins of a land known as Mehrica. This is The Last American and purports to be the journal of Khan-Li, a rather bizarre name for a Persian but so thoroughly Orientalist in mode. The Introduction to the text was provided in a previous post.

It is quite apt that the epigraph for the book is a dedication to “the American who is more than satisfied with himself and his country.”
Given the recent “Occupy Wall Street” interest, here is a century old look at what it might have been in ruins…
Continue reading Tabsir Redux: The Last American, #2

Tabsir Redux: The Last American, #1

There was a time when “Oriental Tales” were the rage of the age. Montesquieu penned Lettres Persanes in 1721 and Oliver Goldsmith followed up several decades later with The Citizen of the World. But I recently came across a late 19th century text about a future visit of a Persian Prince and Admiral to the ruins of a land known as Mehrica. This is The Last American and purports to be the journal of Khan-Li, a rather bizarre name for a Persian but so thoroughly Orientalist in mode. The admiral visits America in 1990 ( a century after the book was written), when American is in ruins, following the massacre of the Protestants in 1907 and the overthrow of the Murfey dynasty in 1930. But let the introduction to the text set up the marvels…

Continue reading Tabsir Redux: The Last American, #1