
Pasted photography on wall, Sana’a 2012; photograph by Jameel Subay
From Street Politics to Street Art in Yemen
By Anahi Alviso-Marino, Nafas Art Magazine, July 2013
In January 2011, demonstrations inspired by the contentious mobilizations taking place in Tunisia and Egypt started to be carried out in Yemen. Gradually, anti-governmental demonstrators came to modify old repertoires of contention, such as the demonstration or the sit-in, into what became a permanent camp and a new space of contention in Sana’a named “Change Square.” Among the self-proclaimed “revolutionary youth” of a sit-in that lasted until April 2013 were a number of visual artists. Their presence in the Square contributed in giving political demands an artistic expression, alongside using artistic practices as a means of contention. Contributing to the symbolic aspects of this mobilization, artistic practices developed inside and outside the tents. As a continuation of street politics acquired in the Square, certain visual artists incorporated dissent, transgression, and civil disobedience in their artistic practices. Among such cases, street art techniques such as graffiti, free writing, mural painting or stenciling participated throughout 2011 in reproducing political slogans that aimed to overthrow Ali Abd Allah Saleh’s regime.
In 2012 this contentious street art underwent certain changes. Continue reading Street Art in Sanaa






