Tabsir Redux: The Book Of Death #28

Contemporary Art, Literature, Poetry


[Illustration: “Refugees” by Palestinian artisit Ibrahim Hijazy, 1996.]

by George El-Hage

Today, the seventh day of the month of Death, I decided to end our relationship. I decided to pack my suitcase and leave. Everything in our spring-like room I left for you: the velvet drapes, old books, notebooks of memories and red roses. All the silk pillows, and the ivory chairs, and the chandelier of carnations, the big bed in the other corner of the room remain for you. I took with me one bleeding suitcase which is my heart. It was so filled with surprise and sorrow that I did not have room for one little pencil. I left empty-handed except for an armful of ashes. I held dejection to my breast, the harvest of a full year of love. I embraced it with anguish and washed its forehead with dew from my eyes. Continue reading Tabsir Redux: The Book Of Death #28 →

Geographers and Osama

Osama Bin Laden, Pakistan, Scholars

UCLA Geographers Weren’t Far Off the Mark in Predicting Bin Laden’s Location

By Ben Wieder, Wired Campus, The Chronicle of Higher Education, May 3, 2011

Osama bin Laden’s hiding place in Abbottabad, Pakistan, came as a surprise to many when U.S. forces located and killed the former Al Qaeda leader early Monday. It was less of a surprise to two geographers at the University of California at Los Angeles.

According to ScienceInsider, a geography class taught by Thomas W. Gillespie, an associate professor, and John A. Agnew, a professor, predicted in 2009 that there was an 88.9 percent chance Mr. bin Laden was hiding in a city less than 300 kilometers from Tora Bora, his last known location. That swath of Pakistan would include Abbottabad, Mr. bin Laden’s actual hiding place. Continue reading Geographers and Osama →

No dignity at Ground Zero

Ethics, Islam in America, Osama Bin Laden


by Mona Eltahawy, The Guardian, Tuesday 3 May 2011

I could hear the cheers as I got out of the taxi, two blocks away. I could hear them from right in front of Park 51, the site of a planned Islamic community centre and mosque that met ferocious opposition last year for being too close to the “hallowed ground” of Ground Zero. It was minutes after President Obama’s announcement that Osama bin Laden had been killed, and I was heeding a friend’s suggestion that we – both Muslims – take candles and stand in vigil where the World Trade Centre stood before Bin Laden’s footsoldiers took it down.

So it was a shock to find hundreds of others had turned that hallowed ground into the scene of a home crowd celebrating an away victory they hadn’t attended, the roots of which they were probably not there to experience or were too young to remember.

There was always something sickening about tourists taking pictures of themselves posing in front of that big gaping hole called Ground Zero. “Me at site of mass slaughter, NYC” as holiday photo caption is wrong in every language, surely. It didn’t take 10 minutes for the frat party atmosphere to sicken me. Olympic-style chants of “USA! USA!” I could just about take as a freshly minted American, as of Friday. But “Fuck Osama! Ole ole ole!” crushed any ambition of dignity for the thousands killed, many of whom had jumped hundreds of storeys to their deaths, their bodies shattered to pieces close to where we stood. Continue reading No dignity at Ground Zero →

India Orientalized for War, 2

Anthropology/Sociology, Bangladesh, Development, India, Orientalism, Pakistan, Photography

During World War II the Smithsonian Institution issued a number of “War Background Studies.” I recently came across #18 in this series entitled Peoples of India by William H. Gilbert, Jr. (Washington D.C.: Smithsonian Institution, April 29, 1944). I was struck by the archaic presentation of images and the overtly Orientalist writing of Gilbert, who is billed as a “Specialist in Sociology and Anthropology, Legislative Reference Series, Library of Congress” and posted an excerpt from his Introduction in a previous post. The following comments are in reference to this earlier post.

First, the old saw that a picture is worth a thousand words is as apt today as ever. In the last post the image provided there (and again above) of a British “sojourner” in a palanquin shows the Brit, prone and pith helmut at his side, staring outside his box of privilege, while there are two bare-chested bearers in front and two behind. What a compelling metaphor for the colonial view of India. There is no direct engagement between the foreigner and the people; they are merely there to take him from place to place by hand. Ironically, the caption notes that the palanquin is no longer used since the arrival of the railroad, so this image becomes a vestigial reminder of how the present occupies the past for its own comfort. Int his case the white man’s burden is turned upside down; the white man is quite literally the burden here.

Second, notice the adjectival mode in the paragraphs cited in the previous post. Continue reading India Orientalized for War, 2 →

To hell with Bin Laden?

Ethics, Islamic Law, Islamic Rituals, Osama Bin Laden


For the past decade it has been “Where the hell is Bin Laden?” Now that he is dead at last, the tabloid mantra is “ROT IN HELL,” at least for the medium of unsubtleness known as the NY Daily News. In less than 24 hours after his James Bond style killing a website appeared on Facebook called Osama Bin Laden is Dead. As can be seen from the screen shot below, the insults of revenge are having their day.


I have no sympathy for Bin Laden, whose obstinate hatred has resulted in an extraordinary waste of life both among Muslims and non-Muslims, but wishing him to hell makes about as much sense as a loony in Florida burning the “Koran.” Continue reading To hell with Bin Laden? →

Illuminated Verses: The Poetries of the Islamic World

Anthropology/Sociology, Conferences and Talks, Folklore and Proverbs, Languages, Miniatures, Poetry, Yemen


Illuminated Verses explores some of the rich and varied poetic traditions of the Islamic world. For a schedule of panels, click here (and scroll to bottom to download pdf of program).

Here is the program for Saturday, May 17, 2011:

Detailed Schedule

•9:00-9:15am
Welcome by Poets House Executive Director Lee Briccetti and City Lore Executive Director Steve Zeitlin

•9:20-9:55am
Illuminated Verses: the Poetries of the Islamic World
An opening panel setting up large questions and contexts with Reza Aslan and Michael Sells.

•10: 00-11:00am
Origins and Orality: the Poetry of the Arabian Peninsula
An examination of the poetries of the Arabian Peninsula from the Golden Age to contemporary oral tribal poetry. With anthropologists Najwa Adra and Steve Caton and literary scholar Suzanne Stetkevych. Continue reading Illuminated Verses: The Poetries of the Islamic World →

Orientalism: Veiled and Unveiled

Egypt, Literature, Orientalism, Orientalist Art


Mahmud Saʻid,The Girls of Bahari; and an untitled portrait by Abdelal Hassan (2000; current location unknown)

[Note: The following is an excerpt from a fascinating discussion of Orientalist art by the philosopher, cultural critic and poet Pino Blasone, whose knowledge of both European and Arab cultures brings a fresh lens to the discussion of the genre. The article is entitled “Orientalism: Veiled and Unveiled” and is available in its entirety online.]

In an online weekly supplement to the Egyptian newspaper Al-Ahram (17-23 May 2007, Issue No. 845), we can read an interesting article by Mohammed Salmawy, entitled“Dialogues of Naguib Mahfouz: A passion for the Arts”. Notoriously Naguib Mahfouz, or Nagib Mahfuz, is the best Egyptian novelist of the 20th century, died in 2006 and received the Nobel Prize for Literature in 1988. Salmawy reports and comments a late interview to him. In particular, let us consider a passage from that: “My first exposure to the plastic arts was in the late 1920s… I remember reading an article by Al-Ê»Aqqad about an artist called Mahmud SaÊ»id. This was kind of unusual, for art wasnʼt really big back then. So for someone like Al-Ê»Aqqad to write a whole article about an artist was a bit of a shock. After that, I learned that SaÊ»id came from a prominent family and had a brilliant career in the judiciary, a career that he abandoned to dedicate his life to art. From then on I made a point of going to all SaÊ»idʼs exhibitions. […] Some of SaÊ»idʼs paintings are still imprinted on my mind: The Girls of Bahari, The Liquorice Merchant, and those splendid portraits of countryside women”. Continue reading Orientalism: Veiled and Unveiled →