Category Archives: Art

Ibn Abī Bakr al-Azraq on Massage Oils: #1


The Arab physician Ibrāhīm ibn ‘Abd al-Rahman ibn Abī Bakr al-Azraq, wrote an important medical text near the end of the 9th century A.H./fifteenth century C.E. This is his Tashhīl al-manāfi‘ fī al-ṭibb wa-al-ḥikma, which was published in Cairo in the late 19th century and has been republished many times since then. One of his chapters deals with adhān, that is oils and lotions that were rubbed on the body either in the hot bath or just for general health. Here is my translation of his account on oils.

Section on the Benefit and Influence of Oils (adhān)

The Prophet, may Allah bless him and grant him salvation, said: “Eat olive oil (zayt) and rub it on the body.” It is a remedy for seventy illnesses, one of these being leprosy (judhām). He said: “For forty nights, Satan will not come near anyone who has olive oil applied.” Zayt is the extraction of the olive, according to al-Dīwān. Cold and wet, but said to be hot. It softens (yadbughu) the stomach, strengthens the body, energizes movement, and there is benefit for one in old age in applying it to the eyes against dimming of vision. According to Ibn ‘Amr the Prophet, may Allah bless him and grant him salvation, said: “Use it to season bread and rub it on the body, because it comes out of the blessed tree (al-shajara al-mubāraka). Continue reading Ibn Abī Bakr al-Azraq on Massage Oils: #1

Colorful Lithographic Orientalism #4: Delhi

As noted in a previous post, I recently went through a late 19th century scrapbook that belonged to my great, great aunt. She had cut out pictures that interested or amused her. Several of these have Orientalist themes. Sometimes a picture is worth a thousand words; other times the picture says enough for itself. In this series, I leave the image to speak for itself. If you would like to comment on what you see or imagine, please do so in the comments section.

For #3, click here.

Colorful Lithographic Orientalism #3: Bazouks

As noted in a previous post, I recently went through a late 19th century scrapbook that belonged to my great, great aunt. She had cut out pictures that interested or amused her. Several of these have Orientalist themes. Sometimes a picture is worth a thousand words; other times the picture says enough for itself. In this series, I leave the image to speak for itself. If you would like to comment on what you see or imagine, please do so in the comments section.

For #2, click here.

Satire is Religion


Birth and Origin of the Pope by Lucas Cranach, illustration for Martin Luther’s “Against the Papacy at Rome, Founded by the Devil,” 1545

Satire is Religion

By Austin Dacey, Religion Dispatches, May 12

Scatological humor. Crude drawings mocking revered religious figures. I am speaking, of course, of Lucas Cranach’s Birth and Origin of the Pope [image above], one in a series of woodcuts commissioned by Martin Luther in the 1540s under the title “The True Depiction of the Papacy.” In it, an enormous grinning she-devil squats in the foreground, excreting the Pope along with a heap of bishops while in the background another infant pontiff suckles at the teat of a serpent-haired wet nurse.

Forget the South Park dust up; forget Everybody Draw Muhammad Day. If you want to see truly shocking anti-religious cartoons, you have to go back to the sixteenth century. Near the end of Luther’s life, his propaganda campaign against Rome grew increasingly vitriolic and his language grotesquely pungent. He took to calling his ecclesiastical enemies ‘asses,’ ‘dogs,’ ‘pigs,’ ‘blockheads,’ ‘basilisks,’ and ‘pupils of Satan,’ and the Pope himself ‘Her Sodomitical Hellishness’ and ‘fart-ass’ (no, it doesn’t sound much more dignified in German—fartz-Esel). Eric Cartman would be in awe. Continue reading Satire is Religion

Why Islam does (not) ban images of the Prophet


Prophet Muhammad with the Angel Gabriel. Miniature from the Ottoman Empire, c. 1595 CE (Topkapi Museum, Istanbul)

Why Islam does (not) ban images of the Prophet

By Omid Safi, Newsweek, May 2, 2010

When a pair of adolescent and anonymous Muslim bloggers (“Muslim Revolution”) threatened the producers of South Park for depicting the Prophet Muhammad in a bear suit in an April 2010 episode, pundits responded by saying that the “Muslim Revolution” folks were extremist idiots (true) and that they were offended because Islam bans the depiction of the Prophet Muhammad (not true).

When the Danish cartoon controversies broke out in 2005, many pundits–and some Muslims–stated that Muslims were offended because Muslims have never physically depicted the Prophet.

That is actually not the case, and marks yet another example of what is at worst an acute sense of religious amnesia, and at best a distortion of the actual history of Islamic practices: Over the last thousand years, Muslims in India, Afghanistan, Iran, Central Asia and Turkey did have a rich courtly tradition of depicting the various prophets, including Prophet Muhammad, in miniatures. Continue reading Why Islam does (not) ban images of the Prophet

Colorful Lithographic Orientalism #2: Seraglio

As noted in a previous post, I recently went through a late 19th century scrapbook that belonged to my great, great aunt. She had cut out pictures that interested or amused her. Several of these have Orientalist themes. Sometimes a picture is worth a thousand words; other times the picture says enough for itself. In this series, I leave the image to speak for itself. If you would like to comment on what you see or imagine, please do so in the comments section.

For #1, click here.

Colorful Lithographic Orientalism #1: Dreaming

As noted in a previous post, I recently went through a late 19th century scrapbook that belonged to my great, great aunt. She had cut out pictures that interested or amused her. Several of these have Orientalist themes. Sometimes a picture is worth a thousand words; other times the picture says enough for itself. In this series, I leave the image to speak for itself. If you would like to comment on what you see or imagine, please do so in the comments section.

Tobacco and Toe Stepping

Kimball Tobacco Company Factory (1846-1905) in Rochester, New York, published a series of “Dancing Girls of the World.” These appear to be from the late 1880s. Several of these purport to depict women dancing in the Middle East. But it seems the artist had never actually seen ladies of the exotic harem. Take a peek for yourself.

Continue reading Tobacco and Toe Stepping