Category Archives: Egypt

Old World Travel 90 years on: #4 Cheops’ Anthill

Archaeology and Antiquities, Egypt, Orientalist Images


Exactly 90 years ago a four-volume set of encyclopedia-like human interest books was published as The Human Interest Library: Visualized Knowledge by Midland Press in Chicago. In a previous post I commented on its thoroughly “Orientalist” flavor. The section on Egypt covers mainly the archaeological history with only a few brief comments on the then contemporary state of Egypt. One of the great mysteries over the years has been an explanation for how the massive pyramids were built. Here is a novel idea, if a picture is worth a thousand scholarly words: ants.

Old World Travel 90 years on: #3 An Arab Cafe

Egypt, Food and Drink, Orientalism, Photography


“These cafes are picturesque places where one sees the street life of Cairo at its best. Note the more humble style of Turkish pipe smoked by this Arab without being set on the floor.

Exactly 90 years ago a four-volume set of encyclopedia-like human interest books was published as The Human Interest Library: Visualized Knowledge by Midland Press in Chicago. In a previous post I commented on its thoroughly “Orientalist” flavor. The section on Egypt covers mainly the archaeological history with only a few brief comments on the then contemporary state of Egypt. On one plate (volume 4, p. 114) there is a photograph of “An Arab Cafe” (shown above) underneath one of the mummy of Sethi the First. There is also a scene of two water carriers (shown below).


“These men are sometimes negroes, as the seated man in the picture, as well as the boy who has taken water to drink from him. They are usually dervishes of the lowest grade, and are sometimes inclined to be fanatical. They are picturesque as well as a very necessary feature of Egyptian life.”

It is not until the last page of the article that “Egypt today” is uncovered. Not surprisingly, the Pharaonic past is for more than prologue here:

Egypt today, as the case with most of these ancient countries is merely the shadow of its former self; its inhabitants lack the energy and popwer which seem to have belonged to their ancestors. The French some years ago constructed the Suez Canal and on a sandbar which was built up from the the dirt out of the canal the modern city of Port Said was located. It is in some ways the most cosmopolitan city in the world being the gateway between the Occident and the Orient. In visiting Egypt the former usually lands at Port Said or Alexandria, then there is a ninety mile trip by rail to the city of Cairo. It seems quite odd to be riding by street car the six miles out from Cairo to the pyramids. It seems such an awe-inspiring thing to connect these ancient monuments with such a modern achievement. It is, however, typical of Egypt today in that ancient and majestic relics are on the one hand in contrast with the impudent signs of modern native life on the other; the little Bedouin children plan and the burros graze over spots the penetration of the sanctity of which once demanded the penalty of death.

Ah, the sentiments of the Occidental tourist in an antique land where the “impudent signs of modern native life” mar the view of ancient relics. Selah.

Tabsir Redux: The Cynical Dairy Farmer’s Guide to the New Middle East

"Arab Spring", Arab-Israeli Conflict, Bahrain, Egypt, Humor and Satire, Iran, Iraq, Israel, Lebanon, Libya, Palestine, Qatar, Saudi Arabia, Syria, Tunisia, Turkey, United Arab Emirates, Yemen


BY Karim Sadjapour, Foreign Policy, June 15, 2011

How a couple of cows explain a changing region: equal opportunity offender edition.

In the early years of the Cold War, in an effort to simplify — and parody — various political ideologies and philosophies, irreverent wits, in the spirit of George Orwell, went back to the farm. No one really knows how the two-cow joke known as “Parable of the Isms” came about, but most students of Political Science 101 have likely come across some variation of the following definitions:

Socialism: You have two cows. The government takes one of them and gives it to your neighbor.

Communism: You have two cows. The government takes them both and provides you with milk.

Nazism: You have two cows. The government shoots you and takes the cows.

Capitalism: You have two cows. You sell one and buy a bull.

Over the years, the parables gradually expanded, using the two-cow joke to explain everything from French unions (You have two cows. You go on strike because you want three cows.) to the Republican Party (You have two cows. Your neighbor has none. So what?). While in its original iteration the cows were a metaphor for currency, capital, and property, they later began to take on different meanings.

Today, the Middle East has replaced the Cold War as America’s primary foreign-policy preoccupation. As opposed to the seemingly ideologically homogenous communist bloc, however, the 22 diverse countries that compose the modern Middle East are still confusing to most Americans. Why can’t the Israeli and Palestinians stop fighting already? What’s the difference between Libya and Lebanon again?

Herewith then is a satirical effort to simplify the essence of Middle Eastern governments so that, in the immortal words of George W. Bush, “the boys in Lubbock” can read it. And, rather than symbolizing property, the cows here symbolize people, which — funny enough — is how most Middle Eastern regimes have traditionally viewed their populations.

Saudi Arabia
You have two cows with endless reserves of milk. Gorge them with grass, prevent them from interacting with bulls, and import South Asians to milk them.

Iran
You have two cows. You interrogate them until they concede they are Zionist agents. You send their milk to southern Lebanon and Gaza, or render it into highly enriched cream. International sanctions prevent your milk from being bought on the open market.

Syria
You have five cows, one of whom is an Alawite. Feed the Alawite cow well; beat the non-Alawite cows. Use the milk to finance your wife’s shopping sprees in London.

Lebanon
You have two cows. Syria claims ownership over them. You take them abroad and start successful cattle farms in Africa, Australia, and Latin America. You send the proceeds back home so your relatives can afford cosmetic surgery and Mercedes-Benzes.

Hezbollah
You have no cows. During breaks from milking on the teat of the Iranian cow you call for Israel’s annihilation. Continue reading Tabsir Redux: The Cynical Dairy Farmer’s Guide to the New Middle East →

Dreaming on a hot summer day

Archaeology and Antiquities, Egypt, Orientalist Art


“The Simoon” by Ludwif Hans Fischer

One does not have to be on a caravan in the Sahara or trying to cross the Empty Quarter in mid-summer to appreciate the beauty of a sandstorm; in fact it is probably best appreciated when one is not in it. Above is how the hot winded simoon looked to the Austrian artist Ludwig Hans Fischer (1848-1915), who painted “The Simoon” in 1878. Below is how the simoon looked approaching the Sphinx to David Roberts in the early 19th century.


“Approach of the Simoon” by David Roberts

Quoth the Raven (in Arabic)

Books You Should Read, Egypt, Literature


Edgar Allen Poe

New Release: Translation of the complete works of Edgar Allen Poe into Arabic

The complete works of the macabre and quintessentially American poet Edgar Allan Poe are now available in Arabic, giving more readers the chance to be chilled

Ahram Online, Thursday, June 2, 2011

Egypt’s National Center for Translation has published the complete works of the American poet, Edgar Allan Poe. It is translated into Arabic by Ghada Al-Halawani and reviewed by the novelist Edward El-Kharrat. This comes as a part of a poetry series supervised by Dr Rania Fathi. The first volume is entitled The Valley of Anxiety.

Edgar Allan Poe, born in 1809 in Boston, Massachusetts, the American poet, critic and one of the greatest short story writers is one of the leaders of American Romanticism. His fame came from his macabre stories and poems that sometimes reach into science fiction. He invented the Gothic horror novels or detective literature.

As life imitates art, his death is surrounded by mystery: at the young age of forty he was oddly found wearing clothes that were not his. The cause of his death remains a mystery – as well as the location of his grave. Continue reading Quoth the Raven (in Arabic) →

These ‘virginity tests’ will spark Egypt’s next revolution

"Arab Spring", Egypt, Gender and Sexuality


Egyptian women protest in Tahrir Square, Cairo. A general has admitted that women detained during protests in the square a month after Mubarak’s overthrow had been subjected to ‘virginity tests’. Photograph: Tara Todras-Whitehill/AP

by Mona Eltahawy, The Guardian, June 2, 2011

There’s a thin line between sex and politics, and it is nonsense to keep repeating the mantra that Egypt’s revolution “wasn’t about gender”. What revolution worth its salt can be fuelled by demands of freedom and dignity and not have gender nestled in its beating heart – especially in a country replete with misogyny, religious fundamentalism (of both the Islamic and Christian kind) and which for 60 years has chafed under a hybrid of military-police rule?

If the “it wasn’t about gender” mantra is stuck on repeat so that we don’t scare the boys away, then let them remember the state screwed them too, literally – ask political prisoners, and remember the condoms and Viagra found when protesters stormed state security headquarters. Continue reading These ‘virginity tests’ will spark Egypt’s next revolution →

Crisis Hopping

"Arab Spring", Afghanistan, Egypt, Iran, Iraq War, Syria, Terrorism Issue, Yemen


As someone who has a long standing interest in the peoples and cultures of the region geographically maligned as the “Middle East,” I am beyond being overwhelmed by the daily turn of events. To see the streets of Yemen turned into bloody confrontation after three months of amazingly peaceful protests is so sad. I had always wondered if Ali Abdullah Salih was really trying to be a father-of-his-country figure (despite the widespread corruption and nepotism) or if it was mainly his inability to be a brutal dictator in the Ben Ali mode that ruled the day. His recent flirtation with leaving office, only to back down each time, suggests that he has no intention of leaving and is looking for any way to prolong his rule. The Al Qaeda on the doorsteps alibi has not fooled anyone, including the U.S. terrorism money machine. So it seems his latest insane step, right out of a really bad thriller movie, is to foment civil strife. Today’s news about his attempt to alienate the leader of the Hashid confederacy has indeed plunged the capital into street fighting. One thing is clear: Ali Abdullah Salih loves Ali Abdullah Salih and the country he has ruled over for over three decades be damned.

Then there is Syria, where Bashar al-Asad, once thought to be a rather weak version of his towering (at least in all the statues strewn about the former Umayyad enclave) father, has decided to be the old-fashioned Stalinesque strongman. Not content to believe that the mere 96.7% of the votes in his last presidential referendum meant anything other than the normal one-man-rule politics, he is apparently trying to get rid of anyone who opposes him by whatever mean means work. To protest in Syria, as in Libya, means to risk life and limb. Continue reading Crisis Hopping →

Orientalism: Veiled and Unveiled

Egypt, Literature, Orientalism, Orientalist Art


Mahmud Saʻid,The Girls of Bahari; and an untitled portrait by Abdelal Hassan (2000; current location unknown)

[Note: The following is an excerpt from a fascinating discussion of Orientalist art by the philosopher, cultural critic and poet Pino Blasone, whose knowledge of both European and Arab cultures brings a fresh lens to the discussion of the genre. The article is entitled “Orientalism: Veiled and Unveiled” and is available in its entirety online.]

In an online weekly supplement to the Egyptian newspaper Al-Ahram (17-23 May 2007, Issue No. 845), we can read an interesting article by Mohammed Salmawy, entitled“Dialogues of Naguib Mahfouz: A passion for the Arts”. Notoriously Naguib Mahfouz, or Nagib Mahfuz, is the best Egyptian novelist of the 20th century, died in 2006 and received the Nobel Prize for Literature in 1988. Salmawy reports and comments a late interview to him. In particular, let us consider a passage from that: “My first exposure to the plastic arts was in the late 1920s… I remember reading an article by Al-Ê»Aqqad about an artist called Mahmud SaÊ»id. This was kind of unusual, for art wasnʼt really big back then. So for someone like Al-Ê»Aqqad to write a whole article about an artist was a bit of a shock. After that, I learned that SaÊ»id came from a prominent family and had a brilliant career in the judiciary, a career that he abandoned to dedicate his life to art. From then on I made a point of going to all SaÊ»idʼs exhibitions. […] Some of SaÊ»idʼs paintings are still imprinted on my mind: The Girls of Bahari, The Liquorice Merchant, and those splendid portraits of countryside women”. Continue reading Orientalism: Veiled and Unveiled →