Category Archives: Orientalism

One for the record books

Islam: Introduction, Islamic Sciences, Islamic Texts, Orientalism, Scholars


I recently received an interesting email, not the usual spam from the widow of the last military dictator of Nigeria seeking a bank account to deposit here husband’s stolen millions, nor an enlargement claim for a part of my anatomy. No, this was a special announcement from Gerlach Books in Berlin. As you read the announcement, you can imagine my surprise to be on this list with a mere professor’s salary.

Today we would like to draw your attention to the largest scholarly library we have offered as an entity ever.

*** Hans Daiber’s Scholarly Library on Islamic Thought & Philosophy – 12,500 items ***

Each item in this library is listed in the three volume Bibliography of Islamic Philosophy edited by Hans Daiber and published by Brill as part of HdO – Handbuch der Orientalistik.

Hans Daiber’s library includes all known publications in western and non-western languages from the 15th century to the present. The total number of items is approximately 12,500 primary and secondary sources.

Today the library itself is put up for sale.
The total price of the library is 775,000.00 EUR (seven hundred and seventy five thousand Euros) plus shipping.

Apart from the hubris (“all known publications… from the 15th century to the present”), I can only imagine the size in shittim wood cubits of this Noachian bibliographic ark. Continue reading One for the record books →

Old World Travel 90 years on: #1 The Sahara

Algeria, Environment, Libya, Orientalism, Photography, Tunisia


Exactly 90 years ago in 1921 a four-volume set of encyclopedia-like human interest books was published as The Human Interest Library: Visualized Knowledge by Midland Press in Chicago. All four volumes ended up in my family’s library, but my favorite is the fourth volume entitled Old World Travelogues. Here is how the volume begins:

It was a saying of Lord Bacon that “History maketh one wise.” Perhaps this is not universally true, but one can scarcely traverse the history and geography of the Old World with its deeds of heroism, picturesque scenes and peoples, splendid buildings, or hallowed places, without having become wiser and better, as well as having enjoyed many an hour of keen pleasure. With the most interesting of guides, we visit splendid cities, historic rivers of scenic beauty or castle-lined banks; monument-covered battle-fields, or the haunts of poets and cavaliers.


The image above is at the head of the article on “The Sahara and its Inhabitants” (pp. 95-103). If this history is intended to make the reader wiser, it is a bleak premise indeed. Here is how the desert is represented:

The desert is a dreary, monotonous place, life there has a great sameness, there is little physical work to be done, little cooking is required and there is little to engage the attention of men. Continue reading Old World Travel 90 years on: #1 The Sahara →

Orientalist Images #1: Berbers of Algeria

Algeria, Gender and Sexuality, Orientalist Images, Photography, Tunisia



[With this post I start a new series dedicated to photographs in an “Orientalist” mode. In addition to Reading Orientalism (which is also the title of my last book), the creation of an imagined Orient is very much a pictorial voyeuristic voyage. In this series I focus on Western images of the Middle East and North Africa, both those that perpetuate stereotypes and those that chip away at the bias. Readers of the blog are welcome to send in images they have found and want to share.]

I start with images from a 1933 edition of Richards Cyclopedia, with 24 volumes published in New York by J. A. Richards, Inc and edited by Ernest Hunter Wright and Mary Heritage Wright. This is an unusual encyclopedia, arranged by topics in a more or less arbitrary order but replete with images. One of the articles is called “The Green Girdle of the Sahara” (vol 18, pp. 4631-4636). The subtitle is: “What Men Live Now along the Northern Strip of Africa, Where the Egyptians Started the Clock of History and Where Grim Carthage Used to Frown across the Sea at Rome?”

The article starts out by describing the Barbary coast and then adds this comment:

Although the Barbary Coast is not an Eastern, or oriental, country, lying as it does due south from Europe, it seems to visitors from Europe and America like a corner of the Orient. It has a religion out of the East, Mohammedanism (mô-hâm’êd-ân-îz’m). Among the farming peoples who make their living from its soil are many restless Jews and fierce Arabs, whose Eastern ways have been taken up by the native peoples. Thus the Berber of this small fertile strip treats his women folk as an oriental might treat them, and he has an oriental’s indifference to dirt. Yet the Berbers are cousins of the northern races, many of them having blue eyes and fair hair.

To be an Oriental outside the literal Orient, to have an indifference to dirt and to be a Mohammedan: such is the fate for the Berber in 1930’s stereotyping. The image above illustrates the sentiment of an Algerian woman who has “much to learn about hygiene.” Given the Islamic duty of ablutions before prayer and the long history of anti-bathing practice in Europe, this is a very narrow put-down indeed.


The picture immediately above shows both the hardship of being female (carrying market items on one’s head) and the beauty of the maid with flowers in her hair. Exotica über alles.

to be continued

Daniel Martin Varisco

Tabsir Redux: Tancred or the New Crusade

Books You Should Read, Literature, Orientalism


Benjamin Disraeli (1804-1881) was one of the most colorful and literary of British Prime Ministers in the latter half of the 19th century. Among his novels was one about a young conservative English lord named Tancred who made a spiritual quest to the “Holy Land.” This is his Tancred, of The New Crusade, originally published in 1877. In the novel Tancred is disillusioned with the lack of morality in British politics. Instead of taking his inherited place in high society, he chooses instead to go on a quest for spiritual meaning to the land where his religion began. Disraeli, as novelist, uses the Levant as a backdrop for his psychological portrait of young Tancred, but it is as much about the foibles of the British political scene as it is an “Orientalist” rendering of the cradle of Judaism, Christianity and Islam. The novel is full of intrigue, as adventure stories should be. It has not made canonization as a “great” work, but it is still worth a read (if you can find a copy). Continue reading Tabsir Redux: Tancred or the New Crusade →

India Orientalized for War, 2

Anthropology/Sociology, Bangladesh, Development, India, Orientalism, Pakistan, Photography

During World War II the Smithsonian Institution issued a number of “War Background Studies.” I recently came across #18 in this series entitled Peoples of India by William H. Gilbert, Jr. (Washington D.C.: Smithsonian Institution, April 29, 1944). I was struck by the archaic presentation of images and the overtly Orientalist writing of Gilbert, who is billed as a “Specialist in Sociology and Anthropology, Legislative Reference Series, Library of Congress” and posted an excerpt from his Introduction in a previous post. The following comments are in reference to this earlier post.

First, the old saw that a picture is worth a thousand words is as apt today as ever. In the last post the image provided there (and again above) of a British “sojourner” in a palanquin shows the Brit, prone and pith helmut at his side, staring outside his box of privilege, while there are two bare-chested bearers in front and two behind. What a compelling metaphor for the colonial view of India. There is no direct engagement between the foreigner and the people; they are merely there to take him from place to place by hand. Ironically, the caption notes that the palanquin is no longer used since the arrival of the railroad, so this image becomes a vestigial reminder of how the present occupies the past for its own comfort. Int his case the white man’s burden is turned upside down; the white man is quite literally the burden here.

Second, notice the adjectival mode in the paragraphs cited in the previous post. Continue reading India Orientalized for War, 2 →

Orientalism: Veiled and Unveiled

Egypt, Literature, Orientalism, Orientalist Art


Mahmud Saʻid,The Girls of Bahari; and an untitled portrait by Abdelal Hassan (2000; current location unknown)

[Note: The following is an excerpt from a fascinating discussion of Orientalist art by the philosopher, cultural critic and poet Pino Blasone, whose knowledge of both European and Arab cultures brings a fresh lens to the discussion of the genre. The article is entitled “Orientalism: Veiled and Unveiled” and is available in its entirety online.]

In an online weekly supplement to the Egyptian newspaper Al-Ahram (17-23 May 2007, Issue No. 845), we can read an interesting article by Mohammed Salmawy, entitled“Dialogues of Naguib Mahfouz: A passion for the Arts”. Notoriously Naguib Mahfouz, or Nagib Mahfuz, is the best Egyptian novelist of the 20th century, died in 2006 and received the Nobel Prize for Literature in 1988. Salmawy reports and comments a late interview to him. In particular, let us consider a passage from that: “My first exposure to the plastic arts was in the late 1920s… I remember reading an article by Al-Ê»Aqqad about an artist called Mahmud SaÊ»id. This was kind of unusual, for art wasnʼt really big back then. So for someone like Al-Ê»Aqqad to write a whole article about an artist was a bit of a shock. After that, I learned that SaÊ»id came from a prominent family and had a brilliant career in the judiciary, a career that he abandoned to dedicate his life to art. From then on I made a point of going to all SaÊ»idʼs exhibitions. […] Some of SaÊ»idʼs paintings are still imprinted on my mind: The Girls of Bahari, The Liquorice Merchant, and those splendid portraits of countryside women”. Continue reading Orientalism: Veiled and Unveiled →

Tabsir Redux: If Lincoln had seen Aladdin

Literature, Orientalism


Grover’s Theater, Washington D.C.


[Tabsir Redux is a reposting of earlier posts on the blog, since memories are fickle and some things deserve a second viewing.]

April 14, 1865. For Americans, at least above the Mason Dixon line, this is one of those dates that lives in infamy. John Wilkes Booth, a rather bad actor on the stage, shot President Abraham Lincoln at Ford’s Theatre. According to an account by Mrs. Helen Palmes Moss in The Century Illustrated Monthly Magazine for 1909, Lincoln had the option of going to a rival theatre, the National or Grover’s, that night where a private box had been prepared for him by Mr. C. D. Hess, the co-manager. Apparently Booth had planned to attempt the assassination at whichever theater Lincoln attended. He much preferred Ford’s, since he had no inside help at the National and would have to shoot Lincoln as he stepped out of the carriage. What does this fateful event have to do with the Middle East? If Lincoln had attended the National Theatre and J. Wilkes Booth had missed, the President would have seen a dramatization of the Arabian Nights tale “Aladdin.” Would that Lincoln had been more of an Orientalist… Continue reading Tabsir Redux: If Lincoln had seen Aladdin →

Tabsir Redux: Arabia, A Poem from 1815

Orientalism, Poetry


[Tabsir Redux is a reposting of earlier posts on the blog, since memories are fickle and some things deserve a second viewing.]

While reading old books on Arabia in Oxford’s Bodleian Library two summers ago, I came across a rare book indeed. I had the privilege of being the first person ever to read the book, as the folios were still uncut. Considering that the book was published in 1815 and soon thereafter entered the library, it might be readily assumed that it is a book not worth reading. In fact it proved to be a delight and a rarity. The book is called Arabia, A Poem and the author is a man named Johnson Grant. The author was an Oxford chap of St. John’s and is billed as the Domestic Chaplain to the Countess Dowager of Balcarres. No doubt the Countess enjoyed the work, although generations of Oxford students and scholars have somehow passed it by.

It is a rather long poem with extensive commentary. Not surprisingly, the Christian chaplain does not think Islam is the right religion. Continue reading Tabsir Redux: Arabia, A Poem from 1815 →