Category Archives: Orientalism

Happy Birthday Sir Richard Francis Burton

Anthropology/Sociology, Books You Should Read, Gender and Sexuality, Languages, Orientalism, Photography, Scholars, Travel


Burton in Aden

Today is March 19. Exactly 191 years ago, at 9:30 in the evening in the British town of Torquay in Devon the future Sir Richard Francis Burton was born. Like his 2oth century acting namesake, Burton was a character for the ages. He reveled in adventure and eroticism, for which he was much reviled in public and no doubt admired in private. If any one word can be used to described the persona that Burton pursued it would be “swashbuckling” in life as in spirit. My point today is neither to praise this flamboyant quasi-Victorian Caesar nor bury him (his grave is indeed a monumental site to behold). May his dry bones rest in the kind of peace he never seems to have found in life.

Burton’s biographers are numerous, as befits someone who is remembered as larger than life. His prolific corpus is now almost entirely online in various formats, but the place to start is burtoniana.org. There is much to question and quibble about in Burton’s exploits. Was his surreptitious entry into Mecca, disguised as a pilgrim, a travesty of Islamic values? Did his fascination with erotica in an age of gentlemananged taboos overstep ethical bounds? Was he the bad kind of “Orientalist,” a discourse cum intercourse voyeur that warrants calling him “Dirty Dick”, as Edward Said does in Orientalism (p. 190)? Was he, perhaps, a bit mad in that ubiquitous England manner?

Whatever you might think of the man, it is probably because of what you have read about him rather than what he actually wrote. Regardless of what he is saying, it must be noted that he had an extraordinary capacity for learning languages. Below is a list of the languages and dialects he is said to have mastered to some extent:

English, French, Italian, Latin, Greek, Jataki dialect (he wrote a grammar), Hindustani, Marathi, Urdu, Arabic, Persian, Pushtu, Sanskrit, Portuguese, Spanish, German, Icelandic, Swahili, Amharic, Fan, Egba, Ashanti, Hebrew, Aramaic, Many other West African & Indian dialects

I suspect he would get into Harvard, no matter what his SAT score.

The Cost of Orientalism

CyberOrient, Islamic History, Islamic Law, Islamic Sciences, Islamic Sects, Islamic Texts, Miniatures, Orientalism


left, Illustration of the phases of the Moon (Or. 133, Golius collection) ;right, Firdawsi, Shahnama (15th century, Or. 494)

There are thousands of Middle Eastern manuscripts preserved in European libraries. One of the famous collections is that of Leiden University. Imagine if those were available online? It would be a dream come true for budding scholars and the old guard alike. A dream, indeed. Leiden University has joined with Brill to provide this collection online, but at a cost. The price posted is a mere (I mean only an emir can afford it) $25,900. I suspect it will take only a few sales to recoup the costs of onlining the manuscripts (and perhaps onlining the profits of both the Leiden libraries (a worthy cause) and Brill (a publisher that already charges so much that few can afford their books). Actually, it may be cheaper to matriculate at Leiden University, since university members have free access.

For those who are interested (either to lament or to have lots of money and little to do with it), here are the details:
Continue reading The Cost of Orientalism →

An Orientalist Coverup: Imagine that…

Books You Should Read, Morocco, Orientalism, Orientalist Images, Photography


Cover of Milet’s book

In the Islamic Arts Museum in Qatar last December I bought a copy of a fascinating book of Orientalist Photographs by Éric Milet, who has worked as a tourist guide in Morocco for a number of years. The photographs, from both the 19th and 20th centuries, are accompanied by short vignettes. As Milet notes, “The ‘Oriental’ Maghreb was born in the darkrooms of Western photographers. A land of contrasts, revealed to the public at large by men and women who were delighted to have crossed to the ‘other side’ in their own lifetimes, constantly evoking the delights of this earthly paradise.” The book is well worth owning, not only to decorate your coffee table, but for easy, entertaining and informative reading.

As the author Malek Alloula has written, in his The Colonial Harem (1988), the ‘Oriental’ created by the photographer became “the oriental’ for the general public. The photographic lens is portrayed by Alloula as the structural enemy of the veil; capturing the image thus sought the removal of the veil and exposure of the female body as a voyeuristic object. Of course, the photographers who paid prostitutes to pose as “typical scenes” in the Maghreb were not the prudish Orientalist scholars, who would often render sexual argot in pseudo-scientific Latin (perhaps assuming that Victorian ladies did not know their Latin or at least that kind of vulgar Latin). But in the case of Milet’s book, the cover is a modern-day coverup that allows it to be sold in the likes of a bookstore of an Islamic Museum. The picture chosen for the cover has been altered so that the bare breast exposed by the photographer in this exquisite 1910 image (shown below) is lost in an arabesque and nipple-less swirl.


“Young Woman in Arab Costume, Algeria, 1910

The objectification of the female body, as shown by Alloula and many others, reinforced the image of the exotic and erotic harem girl open to the gaze of the European voyeur. True enough, although photographers of the time would expose the female body no matter what the nationality. Artistic nudes graced the major museums and were admired; the emerging visual realm of photographs quickly elided the erotic into the pornographic. But in the case of Milet’s book, undoubtedly due to the publisher rather than the author, there is a reversal, a kind of commercially smart prudery that removes the apparently offending body part, even though in so doing the very exposure for which such Orientalist photographs are critiqued is erased. It is not unlike sanitizing the Arabian Nights as children’s fairy tales.

In this case I am not suggesting we judge a book by its cover, but that we allow ourselves to be seduced into opening the book to see the range of images, some clearly bordering on the exploitative and others evincing a sensitivity usually reserved for poets.

Daniel Martin Varisco

Tabsir Redux: A Candid[e] View of an Honest Turk

Literature, Orientalism, Ottoman Empire, Scholars, Turkey

[One of the great moral tales of the 18th century is Voltaire’s (1759) Candide, a book well worth reading and rereading from time to time. Here is an excerpt from the end of the book, but it is not Orientalism in the Saidian sense of negative portrayal; indeed it is the honest Turk which stands in contrast to tyrants of all stripes.]

During this conversation, news was spread abroad that two viziers of the bench and the mufti had just been strangled at Constantinople, and several of their friends impaled. This catastrophe made a great noise for some hours. Pangloss, Candide, and Martin, as they were returning to the little farm, met with a good-looking old man, who was taking the air at his door, under an alcove formed of the boughs of orange trees. Pangloss, who was as inquisitive as he was disputative, asked him what was the name of the mufti who was lately strangled.

“I cannot tell,” answered the good old man; “I never knew the name of any mufti, or vizier breathing. I am entirely ignorant of the event you speak of; I presume that in general such as are concerned in public affairs sometimes come to a miserable end; and that they deserve it: but I never inquire what is doing at Constantinople; I am contented with sending thither the produce of my garden, which I cultivate with my own hands.” Continue reading Tabsir Redux: A Candid[e] View of an Honest Turk →

A Buick in Kabul

Afghanistan, Journalism and Media, Orientalism, Photography, Travel


One of the most famous round-the-world journalists of the last century (or any century) was Lowell Thomas, most known for his blockbuster show on “Lawrence of Arabia.” In 1922 Thomas traveled to Afghanistan and visited the Emir Amanullah. A digital archive of 73 photographs from that trip is available online at Harvard University. Here are pictures of Kabul and other parts of Afghanistan from 90 years ago. Several of the photographs show the American Buick that Thomas drove for his visit. If you happen to be old car buff and interested in Afghanistan, this will be a visual feast.


Continue reading A Buick in Kabul →

Tabsir Redux: With Kitto Illustrating Bible History

Bible and Holy Land, Lithographs, Orientalism, Orientalist Images

As a child I spent many inquisitive hours leafing through the books in my grandmother’s parlor bookcase. One that especially attracted my attention was John Kitto’s An Illustrated History of the Holy Bible (Social Circle, Georgia: E. Nebhut, 1871). Rev. John Kitto, recognized on the title page as author of the London Pictorial Bible, the Cyclopedia of Biblical Literature, ETC, ETC, retells the entire history of the Old and New Testament, from creation to the destruction of Jerusalem. Kitto was born into poverty in 1804 in Plymouth, England and due to an unfortunate accident ate age thirteen became entirely deaf and was forced into the poor house at the age of fifteen. This is quite an inauspicious beginning for a waif who went on to be a respected theological scholar. Through the local humanitarian efforts of several men in Plymouth, Kitto became a lay missionary to Malta and then for three and a half years in Baghdad. “While residing in that city,” writes Alvan Bond in the preface to Kitto’s book, Cairo “was visited by the plague, the terrific ravages of which swept off more than one-half the inhabitants in two months. Amidst this fearful desolation he remained calm and active at his post.” Once back in England he married and produced a travel account and several pictorial histories of the Holy Land. In 1844 the University of Giessen conferred upon him the degree of D.D. His ill health forced him to seek help in the spas of Germany, where he died after a mere half century in 1854. Continue reading Tabsir Redux: With Kitto Illustrating Bible History →

Chamber Works from Mohammed Fairouz

Music and Dance, Orientalism


Q2 Music Album of the Week for December 6, 2011 | Free Download of “Four Critical Models: III. Catchword An Oriental Model”
WQXR, Tuesday, December 06, 2011

There’s an embarrassment of riches on Critical Models, the debut solo album by 20-something composer Mohammed Fairouz. And yet the chamber nature of the record’s six pieces lends an unshakable sense of intoxicating intimacy.

A contemporary of Gabriel Kahane and Nico Muhly, Fairouz is a composer with an equally distinguished pedigree (he was one of Ligeti’s last students), but with a different brand of sound that replaces Muhly’s unabashed exuberance for introspective intensity and Kahane’s droll humor for incisive wit. Album opener Litany starts off with a whisper of flute, oboe and clarinet, before opening into a richly woven woodwind tapestry of neoclassical rhythms and unsettling fluid lines. The composition ends palindrome-like on the same subtle note that begins the four-and-a-half–minute work.

Litany sets the tone for an album that is a study in contrasts, full of setting and implied text that forms the basis to many of Fairouz’s works. Title work Four Critical Models careens between Fairouz’s dual identities as American and Middle Eastern, traditional and modern, with distinct references to Edward Said and his brand of orientalist studies (the captivating third movement, An Oriental Model, is most effectively schizophrenic). Continue reading Chamber Works from Mohammed Fairouz →