Category Archives: Orientalism

Tabsir Redux: Mocha Musings #1: Mecca and Arabia

Arbuckles’ Ariosa (air-ee-o-sa) Coffee packages bore a yellow label with the name ARBUCKLES’ in large red letters across the front, beneath which flew a Flying Angel trademark over the words ARIOSA COFFEE in black letters. Shipped all over the country in sturdy wooden crates, one hundred packages to a crate, ARBUCKLES’ ARIOSA COFFEE became so dominant, particularly in the west, that many Cowboys were not aware there was any other kind. Keen marketing minds, the Arbuckle Brothers printed signature coupons on the bags of coffee redeemable for all manner of notions including handkerchiefs, razors, scissors, and wedding rings. To sweeten the deal, each package of ARBUCKLES’ contained a stick of peppermint candy. Due to the demands on chuck wagon cooks to keep a ready supply of hot ARBUCKLES’ on hand around the campfire, the peppermint stick became a means by which the steady coffee supply was ground. Upon hearing the cook’s call, “Who wants the candy?” some of the toughest Cowboys on the trail were known to vie for the opportunity of manning the coffee grinder in exchange for satisfying a sweet tooth.

While sorting through a bevy of late 19th century advertising cards and magazine illustrations collected by my great, great aunt in several yellowing albums, I came across several for the Middle East that were published for Arbuckle’s coffee. Continue reading Tabsir Redux: Mocha Musings #1: Mecca and Arabia

ASMEA: ASinine and MEAn


The primary international professional association of scholars who study the Middle East is MESA, the Middle East Studies Association. If you go to the main website, you will read:

The Middle East Studies Association (MESA) is a private, non-profit, non-political learned society that brings together scholars, educators and those interested in the study of the region from all over the world. From its inception in 1966 with 50 founding members, MESA has increased its membership to more than 3,000 and now serves as an umbrella organization for more than sixty institutional members and thirty-nine affiliated organizations. The association is a constituent society of the American Council of Learned Societies, the National Council of Area Studies Associations, and a member of the National Humanities Alliance.

Members of MESA receive two journals, the flagship International Journal of Middle East Studies and the revamped Review of Middle East Studies. Each year MESA holds an annual convention, this year in Denver. As noted, the association is non-political and contains members with widely divergent views on the controversial political and religious issues in the Middle East and North Africa.

So, why, you might wonder, is there a rival organization known as ASMEA, The Association for the Study of the Middle East and Africa, with its own journal housed with Taylor and Francis? Ah, politics. The founding fathers of the association are Bernard Lewis and Fouad Ajami, who appear to have joined forces primarily because of a common distaste for the work of Edward Said and their unfailing attraction to the intelligence community. The welcome message suggests that ASMEA is filling a gap:

ASMEA is a new academic society dedicated to promoting the highest standards of research and teaching in Middle Eastern and African studies, and related fields. It is a response to the mounting interest in these increasingly inter-related fields, and the absence of any single group addressing them in a comprehensive, multi-disciplinary fashion.

Like MESA, it claims to be non-partisan, although it is hard to explain why having only one point of view constitutes being non-partisan. It is obvious that scholars, like everyone else, will have differing opinions about issues like Palestinian statehood, inflammatory religious rhetoric, gender and a variety of issues that call for better understanding through dialogue among scholars. But ASMEA is monologue on top of being superficially trite. The claims for the “highest standards of research” are laughable, given the contents of its journal. For example,the most recent issue contains one book review. The chosen book is Rock the Casbah: Rage and Rebellion across the Islamic World by Robin Wright. The author of the book is a reporter, well-traveled (140 countries and counting) and with a prolific presence on all the media. With due respect to the importance of journalism in a free society, Ms. Wright is not an academic scholar; nor has her book been published through the peer review vetting of an academic press. I am not concerned with the value of her book, but it is the kind of book that routinely gets reviewed in major media outlets and rarely in academic journals. Is this the only book that ASMEA could find worth reviewing? [Update: In my original post I misidentified Stephen A. Emerson as Stephen Emerson, an unabashed partisan who sees jihadist terror behind every Islamic-looking bush.] Continue reading ASMEA: ASinine and MEAn

Lady Burton in Jeddah


Lady Isabel Burton, wife of Sir Richard Francis Burton

[The following is an excerpt from The Romance of Lady Isabel with her reflections on visiting Jedda on the way to India in 1876. The entire book is available online.]

I was delighted with my first view of Jeddah. It is the most bizarre and fascinating town. It looks as if it were an ancient model carved in old ivory, so white and fanciful are the houses, with here and there a minaret. It was doubly interesting to me, because Richard came here by land from his famous pilgrimage to Mecca. Mecca lies in a valley between two distant ranges of mountains. My impression of Jeddah will always be that of an ivory town embedded in golden sand.

We anchored at Jeddah for eight days, which time we spent at the British Consulate on a visit. The Consulate was the best house in all Jeddah, close to the sea, with a staircase so steep that it was like ascending the Pyramids. I called it the Eagle’s Nest, because of the good air and view. It was a sort of bachelors’ establishment; for in addition to the Consul and Vice-Consul and others, there were five bachelors who resided in the building, whom I used to call the “Wreckers,” because they were always looking out for ships with a telescope. They kept a pack of bull-terriers, donkeys, ponies, gazelles, rabbits, pigeons; in fact a regular menagerie. They combined Eastern and European comfort, and had the usual establishment of dragomans, kawwasses, and servants of all sizes, shapes, and colour. I was the only lady in the house, but we were nevertheless a very jolly party. Continue reading Lady Burton in Jeddah

Happy Birthday Sir Richard Francis Burton


Burton in Aden

Today is March 19. Exactly 191 years ago, at 9:30 in the evening in the British town of Torquay in Devon the future Sir Richard Francis Burton was born. Like his 2oth century acting namesake, Burton was a character for the ages. He reveled in adventure and eroticism, for which he was much reviled in public and no doubt admired in private. If any one word can be used to described the persona that Burton pursued it would be “swashbuckling” in life as in spirit. My point today is neither to praise this flamboyant quasi-Victorian Caesar nor bury him (his grave is indeed a monumental site to behold). May his dry bones rest in the kind of peace he never seems to have found in life.

Burton’s biographers are numerous, as befits someone who is remembered as larger than life. His prolific corpus is now almost entirely online in various formats, but the place to start is burtoniana.org. There is much to question and quibble about in Burton’s exploits. Was his surreptitious entry into Mecca, disguised as a pilgrim, a travesty of Islamic values? Did his fascination with erotica in an age of gentlemananged taboos overstep ethical bounds? Was he the bad kind of “Orientalist,” a discourse cum intercourse voyeur that warrants calling him “Dirty Dick”, as Edward Said does in Orientalism (p. 190)? Was he, perhaps, a bit mad in that ubiquitous England manner?

Whatever you might think of the man, it is probably because of what you have read about him rather than what he actually wrote. Regardless of what he is saying, it must be noted that he had an extraordinary capacity for learning languages. Below is a list of the languages and dialects he is said to have mastered to some extent:

English, French, Italian, Latin, Greek, Jataki dialect (he wrote a grammar), Hindustani, Marathi, Urdu, Arabic, Persian, Pushtu, Sanskrit, Portuguese, Spanish, German, Icelandic, Swahili, Amharic, Fan, Egba, Ashanti, Hebrew, Aramaic, Many other West African & Indian dialects

I suspect he would get into Harvard, no matter what his SAT score.

The Cost of Orientalism


left, Illustration of the phases of the Moon (Or. 133, Golius collection) ;right, Firdawsi, Shahnama (15th century, Or. 494)

There are thousands of Middle Eastern manuscripts preserved in European libraries. One of the famous collections is that of Leiden University. Imagine if those were available online? It would be a dream come true for budding scholars and the old guard alike. A dream, indeed. Leiden University has joined with Brill to provide this collection online, but at a cost. The price posted is a mere (I mean only an emir can afford it) $25,900. I suspect it will take only a few sales to recoup the costs of onlining the manuscripts (and perhaps onlining the profits of both the Leiden libraries (a worthy cause) and Brill (a publisher that already charges so much that few can afford their books). Actually, it may be cheaper to matriculate at Leiden University, since university members have free access.

For those who are interested (either to lament or to have lots of money and little to do with it), here are the details:
Continue reading The Cost of Orientalism

An Orientalist Coverup: Imagine that…


Cover of Milet’s book

In the Islamic Arts Museum in Qatar last December I bought a copy of a fascinating book of Orientalist Photographs by Éric Milet, who has worked as a tourist guide in Morocco for a number of years. The photographs, from both the 19th and 20th centuries, are accompanied by short vignettes. As Milet notes, “The ‘Oriental’ Maghreb was born in the darkrooms of Western photographers. A land of contrasts, revealed to the public at large by men and women who were delighted to have crossed to the ‘other side’ in their own lifetimes, constantly evoking the delights of this earthly paradise.” The book is well worth owning, not only to decorate your coffee table, but for easy, entertaining and informative reading.

As the author Malek Alloula has written, in his The Colonial Harem (1988), the ‘Oriental’ created by the photographer became “the oriental’ for the general public. The photographic lens is portrayed by Alloula as the structural enemy of the veil; capturing the image thus sought the removal of the veil and exposure of the female body as a voyeuristic object. Of course, the photographers who paid prostitutes to pose as “typical scenes” in the Maghreb were not the prudish Orientalist scholars, who would often render sexual argot in pseudo-scientific Latin (perhaps assuming that Victorian ladies did not know their Latin or at least that kind of vulgar Latin). But in the case of Milet’s book, the cover is a modern-day coverup that allows it to be sold in the likes of a bookstore of an Islamic Museum. The picture chosen for the cover has been altered so that the bare breast exposed by the photographer in this exquisite 1910 image (shown below) is lost in an arabesque and nipple-less swirl.


“Young Woman in Arab Costume, Algeria, 1910

The objectification of the female body, as shown by Alloula and many others, reinforced the image of the exotic and erotic harem girl open to the gaze of the European voyeur. True enough, although photographers of the time would expose the female body no matter what the nationality. Artistic nudes graced the major museums and were admired; the emerging visual realm of photographs quickly elided the erotic into the pornographic. But in the case of Milet’s book, undoubtedly due to the publisher rather than the author, there is a reversal, a kind of commercially smart prudery that removes the apparently offending body part, even though in so doing the very exposure for which such Orientalist photographs are critiqued is erased. It is not unlike sanitizing the Arabian Nights as children’s fairy tales.

In this case I am not suggesting we judge a book by its cover, but that we allow ourselves to be seduced into opening the book to see the range of images, some clearly bordering on the exploitative and others evincing a sensitivity usually reserved for poets.

Daniel Martin Varisco

Tabsir Redux: A Candid[e] View of an Honest Turk

[One of the great moral tales of the 18th century is Voltaire’s (1759) Candide, a book well worth reading and rereading from time to time. Here is an excerpt from the end of the book, but it is not Orientalism in the Saidian sense of negative portrayal; indeed it is the honest Turk which stands in contrast to tyrants of all stripes.]

During this conversation, news was spread abroad that two viziers of the bench and the mufti had just been strangled at Constantinople, and several of their friends impaled. This catastrophe made a great noise for some hours. Pangloss, Candide, and Martin, as they were returning to the little farm, met with a good-looking old man, who was taking the air at his door, under an alcove formed of the boughs of orange trees. Pangloss, who was as inquisitive as he was disputative, asked him what was the name of the mufti who was lately strangled.

“I cannot tell,” answered the good old man; “I never knew the name of any mufti, or vizier breathing. I am entirely ignorant of the event you speak of; I presume that in general such as are concerned in public affairs sometimes come to a miserable end; and that they deserve it: but I never inquire what is doing at Constantinople; I am contented with sending thither the produce of my garden, which I cultivate with my own hands.” Continue reading Tabsir Redux: A Candid[e] View of an Honest Turk

A Buick in Kabul


One of the most famous round-the-world journalists of the last century (or any century) was Lowell Thomas, most known for his blockbuster show on “Lawrence of Arabia.” In 1922 Thomas traveled to Afghanistan and visited the Emir Amanullah. A digital archive of 73 photographs from that trip is available online at Harvard University. Here are pictures of Kabul and other parts of Afghanistan from 90 years ago. Several of the photographs show the American Buick that Thomas drove for his visit. If you happen to be old car buff and interested in Afghanistan, this will be a visual feast.


Continue reading A Buick in Kabul