Category Archives: Miniatures

Viewing the Shanamah in Manhattan


Portrait of the infant Rustam shown to Sam (folio 30b)

On Thursday night I had the privilege of attending a reading of portions of the Shanamah by Iraj Anvar.
The reading was held as part of the superb series called “Illuminated Verses: Poetries of the Islamic World,” which is a series of readings and events that began in March with a lecture by Bruce Lawrence on the Quran and continues through May 7. This is an extraordinary opportunity to hear and learn more about the variety of poetic production in Islamic cultures worldwide.

While the reading of the Shanamah is over, you can still see the exhibit of the mid 15th century Muhammad Juki’s manuscript of the Shanamah at the Asia Society through May 1.

Tulip mania


Unnamed tulip from the Turkish ‘The Book of Tulips’, ca. 1725

Webshaykh’s Note: With winter snow buffeting Europe and the Middle East, what better time to think about tulips, an Ottoman treasure that took Europe by storm almost half a millennium ago. There is an excellent book on The Tulip by Anna Pavord (Great Britain: Bloomsbury, 1999), but one of my favorite articles is one that Jon Mandaville wrote for ARAMCO World over three decades ago. The full article is available online, but I provide the first part below.]

Turbans and Tulips
Written by Jon Mandaville. ARAMCO World Magazine, May/June, 1977

Tulips come from Holland. Right? Wrong! Or at least, they haven’t always. Tulips come from Turkey, the only country in the world to call one of its major eras of national history—the years 1700 to 1730—the “Tulip Period.” And how that era got its name . . . thereby hangs a tale.

Tulips, even in the early 18th century, were nothing new to Turkey. Along with other bulbous plants such as the narcissus, the hyacinth and the daffodil, tulips had grown there for centuries, both wild and domesticated for house and garden. The Tulip Period took its name from an established hobby, which started as court fashion, grew into a generalized fad and fancy, and finally became an explosion of unrestrained international speculation in bulbs which buyers never even saw.

It all began when tulips first went to Europe. In 1550, no one in Holland had heard of tulips. Different varieties do grow wild in North Africa and from Greece and Turkey all the way to Afghanistan and Kashmir. Very occasionally they are even found in southern France and Italy, usually in vineyards or on cultivated land, which has led some botanists to speculate that they may have been brought back by the Crusaders.

The Persians were familiar with tulips, but they didn’t domesticate them as thoroughly as the Turks. For centuries they admired the flowers wild. Even as decorative motifs in Persia, they were never as popular as the narcissus, iris or rose.

In Turkey it was different. Continue reading Tulip mania

Noah and the ark, seven centuries ago


The story of Noah is shared in the three main monotheisms and still inspires creationists who are convinced that opportunist quasi-Neptunist forces from the great Deluge laid down almost all sedimentary layers on Earth. Above is an illustration from the Jami‘ al-tawarikh, produced in 1314/1315 for the Iranian vizier Rashid al-Din. In this case the ark was not the biblical box but a typical Arab dhow of the time with two masts, two steering oars and a rudder. The manuscript is housed in the Nasser D. Khalili Collection of Islamic Art in London.

Illustration from Art of the First Cities, edited by Joan Aruz (New York: Metropolitan Museum of Art, 2003), p. 491.

Ibn Abī Bakr al-Azraq on Massage Oils: #1


The Arab physician Ibrāhīm ibn ‘Abd al-Rahman ibn Abī Bakr al-Azraq, wrote an important medical text near the end of the 9th century A.H./fifteenth century C.E. This is his Tashhīl al-manāfi‘ fī al-ṭibb wa-al-ḥikma, which was published in Cairo in the late 19th century and has been republished many times since then. One of his chapters deals with adhān, that is oils and lotions that were rubbed on the body either in the hot bath or just for general health. Here is my translation of his account on oils.

Section on the Benefit and Influence of Oils (adhān)

The Prophet, may Allah bless him and grant him salvation, said: “Eat olive oil (zayt) and rub it on the body.” It is a remedy for seventy illnesses, one of these being leprosy (judhām). He said: “For forty nights, Satan will not come near anyone who has olive oil applied.” Zayt is the extraction of the olive, according to al-Dīwān. Cold and wet, but said to be hot. It softens (yadbughu) the stomach, strengthens the body, energizes movement, and there is benefit for one in old age in applying it to the eyes against dimming of vision. According to Ibn ‘Amr the Prophet, may Allah bless him and grant him salvation, said: “Use it to season bread and rub it on the body, because it comes out of the blessed tree (al-shajara al-mubāraka). Continue reading Ibn Abī Bakr al-Azraq on Massage Oils: #1

Why Islam does (not) ban images of the Prophet


Prophet Muhammad with the Angel Gabriel. Miniature from the Ottoman Empire, c. 1595 CE (Topkapi Museum, Istanbul)

Why Islam does (not) ban images of the Prophet

By Omid Safi, Newsweek, May 2, 2010

When a pair of adolescent and anonymous Muslim bloggers (“Muslim Revolution”) threatened the producers of South Park for depicting the Prophet Muhammad in a bear suit in an April 2010 episode, pundits responded by saying that the “Muslim Revolution” folks were extremist idiots (true) and that they were offended because Islam bans the depiction of the Prophet Muhammad (not true).

When the Danish cartoon controversies broke out in 2005, many pundits–and some Muslims–stated that Muslims were offended because Muslims have never physically depicted the Prophet.

That is actually not the case, and marks yet another example of what is at worst an acute sense of religious amnesia, and at best a distortion of the actual history of Islamic practices: Over the last thousand years, Muslims in India, Afghanistan, Iran, Central Asia and Turkey did have a rich courtly tradition of depicting the various prophets, including Prophet Muhammad, in miniatures. Continue reading Why Islam does (not) ban images of the Prophet

Islamic Folk Astronomy #2

Time Reckoning

Era means a definite space of time, reckoned from the beginning of some past year, in which either a prophet, with signs and wonders, and with a proof of his divine mission, was sent, or a great and powerful king rose, or in which a nation perished by a universal destructive deluge, or by a violent earthquake and the sinking of the earth, or a sweeping pestilence, or by intense drought, or in which a change of dynasty or religion took place, or any grand event of the celestial and the famous tellurian miraculous occurrences, which do not happen save at long intervals and at times far distant from each other. Al-Bîrûnî (1879:16)

Time is relative. Given the modern world’s reliance on formalized calendars and machines that define time for us, it is easy to forget that the expansion of Islam occurred at a time when telling time was not dependent on a formal science of astronomy. How time is measured is not only a practical issue but also reflective of the desired interval of duration and the precision in defining it. Simple observation of the sun rising and setting, as well as its location, can easily yield calendars to determining hours, days, months and years. Similarly, the moon’s phases made it a useful measure for the Islamic lunar calendar. Observations of movements by the stars, as well as the planets, also provided practical ways of measuring units of time both short and long. Continue reading Islamic Folk Astronomy #2

Arabic Talismania

I have had always had a fascination with the variety of astrological, magical and prognosticative manuscripts available in Arabic. Living in the post-Enlightenment modernity era, we scholars tend to think of astrology as a quaint feature of past pre-scientific thinking and now abandoned the New Age enthusiasts. There are, however, thousands of Arabic manuscripts that are magical, in more than the usual sense. These offer a window, however mysterious, into the concerns and fears of the past. I recently came across an extraordinary website, Digital Occult Manuscripts, which has uploaded images of numerous Arabic occult texts. I cannot find information on who puts out the project, but it is an amazing source of documents (although usually just a few pages of each manuscript) and a joy just to browse through. Here is one of the images, a talismanic man from a 12th century text by al-Ghazali.

Illustration from السر الرباني في العالم الجثماني / al-Sirr al-Rabbani fi Al-‘alam al-Juthmani
Author: Abu Hamid al-Ghazali / أبو حامد الغزالي
Year: 505 Hijri / 1111 Gregorian
Language: Arabic
Writing style: Talik
Number of pages: 130 page

A Poet’s Recipe


A host tending to the needs of his guests, Maqâmât al-Harîrî, 1236 CE

As richly illustrated in Geert Jan van Gelder’s delightul God’s Banquet: Food in Classical Arabic Literature (New York: Columbia University Press, 2000), Arab poets loved food and wrote extensively on the adab of cuisine. There are poems devoted to specific foods, but even a few recipes for the cook with a wit as well as a greasy thumb. Here is van Gelder’s translation of a recipe poem by the Baghdadi poet Kushajim (died 961 CE):

You have asked me about the best of dishes:
You’ve asked today someone who is not ignorant!
Now take, my friend, some ribs of meat,
And after that some meat of leg, and fat,
And chop some fat and succulent meat
And rinse it with sweet and clear water. Continue reading A Poet’s Recipe