Category Archives: Ethics

Yin and Yang over Yemen’s Drones

"Arab Spring", Contemporary Art, Ethics, Obama Administration, Terrorism Issue, Yemen


Men walk past anti-drone mural in Sanaa, Yemen, Nov. 25, 2013; photography by Juan Herrerro

Yemen’s New Ways of Protesting Drone Strikes: Graffiti and Poetry

by Tik Root, Time Magazine, November 30, 2013

An American drone hovers along a main thoroughfare in the Yemeni capital, Sana’a. Not a real drone, but rather a 7 foot-long rendition of an unmanned aircraft spray-painted near the top of a whitewashed city wall. Below it, a stenciled-on child is writing: “Why did you kill my family?” in blood-red English and Arabic script.

Painted by Yemeni artist Murad Subay, the Banksy-esque mural sits beside three others also admonishing the United States’ use of drones in Yemen to track and kill terrorism suspects. This drone art is part of Subay’s latest campaign, “12 Hours”, which aims to raise awareness about twelve problems facing Yemen, including weapons proliferation, sectarianism, kidnapping and poverty. Drones are the fifth and arguably most striking “hour” yet completed.

“Graffiti in Yemen, or street art, is a new device to communicate with the people,” says Subay, 26, who after taking up street art two years ago in the wake of Yemen’s Arab Spring revolution has almost single-handedly sparked the growing Yemeni graffiti movement. “In one second, you can send a message.”

The anti-drone chorus in Yemen has grown louder since the Obama Administration took office in 2009. All but one of the dozens of reported drone strikes in Yemen have been carried out since Obama came to office (although strikes here and in Pakistan have been more sporadic in recent months). Operations are rarely acknowledged by American officials but have nonetheless stirred a global debate about the strikes’ legality, morality and effectiveness. Continue reading Yin and Yang over Yemen’s Drones →

Early Marriage and Early Islam

Development, Ethics, Gender and Sexuality, India, Islamic Law, Muhammad


Dr. amina wadud

by amina wadud, feminismandreligion.com, Oct. 3, 2013

This week, in the state where I am living, Kerala, India:

“…nine prominent Muslim (sic) organizations have decided to approach the Supreme Court to exclude Muslim women from the law prescribing a minimum marital age. According to them, the present Prohibition of Child Marriage Act, 2006, which prescribes 18 as women’s legal age and 21 for men, violates Muslims’ fundamental right to practice their religion.”

Let me try to step back and formulate this in plain English.

India is a secular democratic nation-state, with a population of over 1 billion, a poverty rate at best estimated at 22%. It ranks as the 55th worst country with regard to its maternal mortality rate with estimates as high as 450 per 100,000, and has an infant mortality rate of 44-55 per 1000. All the above factors have a direct corollary to child marriage: poverty, maternal mortality (think babies having babies), and thus, infant mortality is directly related to the national age of marriage.

Thus, one way to eradicate poverty, save mothers, and save infants is to prevent child marriage. It is no wonder preventing child marriage is a leading strategy for development organizations, human rights organizations and even the World Bank. In 2006, India passed the Child Marriage Act which states, “This legislation is armed with enabling provisions to prohibit child marriages, protect and provide relief to victims and enhance punishment for those who abet, promote and solemnize such marriages” (pg 1).

Against the proven results: maternal mortality and infant mortality rates have declined since the inception of the Child Marriage Act, Muslim organizations in Kerala have decided to approach the Supreme Court to ask that Muslims be exempted as it “violates the fundamental right to practice their religion”!!!

While providing no evidence that child marriage is “fundamental” to our religion, the absence of which would “violate” our ability to practice—since there is no such evidence—let me at least attempt to objectively describe the process of history and culture as it might lead to such a misconception. Continue reading Early Marriage and Early Islam →

The Collapse of a Tradition

Contemporary Art, Ethics, Gender and Sexuality, Lebanon, Poetry


On Marriage by Khalil Gibran

The Collapse of a Tradition, from Sacred to Profane: The Abolishment of the Institution of Marriage

by George Nicolas El-Hage, Ph.D.

In the Middle East, in general, gender equality, love, sex, marriage, emotional relationships, and the proper place of women in society and in the workplace are still issues of debatable outcome and still draw mixed interpretations and polemic conclusions. Simple rights, whether a woman should be allowed to drive, to walk into a mall unescorted, to openly date and be free to choose a mate, and to climb the corporate ladder and lead a company, such topics can still fuel serious debates and bring down questionable consequences. Of course, there are cases, in many Arab countries, where the few have dared to challenge the tradition and break the norm. However, these are rare instances where a woman, or a group of women have been bold and “wild” to take such dangerous steps. Overwhelmingly, women still lag behind and remain treated as second class citizens.

I have spent the last six months in Lebanon and have witnessed firsthand the destruction of what is commonly held as the sacred “marriage institution.” Of course, there are couples who fall in love and fight for their togetherness and try to make it the old fashion way, by earning the right to a successful marriage and a happy family, but by and large, marriage has become a commodity, a sort of contract that should yield a lucrative mutual gain, a connection with benefits, at best, a necessary evil that in some cases is performed under social, parental or economic pressures. Even further, unfortunately, it has become a monetized, materialistic show of wealth intended to keep up appearances while in reality; it is rather void of romance and any traces of love burning in the heart of either partner. Continue reading The Collapse of a Tradition →

When I wore the hijab: Power and the headscarf

Egypt, Ethics, Gender and Sexuality, Orientalism


I put on my daughter’s abaya, took a picture of myself, and used it as my profile picture on Twitter and Facebook. (Photo supplied: Abdullah Hamidaddin)

by Abdullah Hamidaddin, Al-Arabiya, November 30, 2013

The ‘hijab’ is a very complicated piece of cloth. Since its inception a few millennia ago it had carried with it many meanings. It was an expression of male dominance, an act of religious piety, a manifestation of female oppression, a limitation to a female’s power of seduction, an icon of cultural pride, a slogan of resistance to colonialism imperialism and globalization, an indicator of a worthy wife, an evasion of feminine competition, a marker of otherness and a discouragement to harassers. Different meanings constructed in different epochs for different social and political reasons by different actors with different motivations.

If anything, this makes it quite difficult to speak of the ‘hijab’ rather one ought to speak of ‘hijabs’ each using a ‘cloth’ but each assigning to it so many meanings that renders it impossible to make any generalization no matter how mild it may be. And every generalization I make here has multiple exceptions. Yet despite all those many differences there seems to be one constant about the hijab: it is about women and for women; only women. Men do not put on a hijab. They may cover their heads even their faces, but that is another thing. The hijab is not the cloth that covers a head, or hair, or even the face. The hijab is something else altogether. Continue reading When I wore the hijab: Power and the headscarf →

Sitt Marvel

Ethics, Gender and Sexuality, Humor and Satire, Islamophobia

Why can’t Spiderman convert to Islam?

by Leon Moosavi, Al Jazeera, Nov. 27, 2013

[Editor’s Note: There are a number of hyperlinks in the original Al Jazeera article which are not reproduced here by a tired editor.]

There’s a strong current of Islamophobia gushing through our era. In various places, Muslims are still perceived as causing problems with their alleged insistence on being different. From Canada, to the UK, to Burma, and beyond, there are intense debates today that construct Muslims as a troublesome “race” who need to be contained. So when I heard about a new superhero that is going to eradicate this globalised Islamophobia, I was excited.

Commentators have celebrated Marvel’s new Muslim superhero, Kamala Khan (aka Ms Marvel), as a refreshing example of a strong Muslim woman who will normalise Muslim identity. Some even went as far as saying that Khan is “a much needed counter to Islamophobia in show business” and that “Marvel’s work is a watershed moment in breaking down fear and ignorance.” I wish these commentators were right, but sadly, I think they are overlooking some finer points of Kamala’s character that may suggest she is part of the problem rather than the solution.

A Muslim shapeshifter

From the limited information we have about Kamala, we know that she is a 16-year-old “shapeshifter”, who comes from a conservative and restrictive family. She apparently struggles with an identity crisis between her Muslim and American identities. This loose characterisation does not sound like a refreshing portrayal of a Muslim character to me, but in fact, is consistent with typical outdated stereotypes of Muslims. In particular, the idea that Muslim women are trapped by family, tradition and Muslim men is an old orientalist trope that is still projected onto Muslim communities today. It is the same logic that has been used to justify the criminalisation of Muslim clothing and the invasion of Muslim countries.

Her ability to “shapeshift” brings to mind the common Islamophobic accusation that Muslims routinely practice taqqiya where they deliberately conceal their true beliefs for the sake of sinister plots.

In this respect, it may not be a coincidence that Kamala rhymes with Malala, as both of their stories may give the impression that Muslim women need saving from Muslim men. The question that has been asked about Malala, may fairly be asked about Kamala as well: Is she really an empowered Muslim woman or is she an appropriated tool whose narrative coalesces with the portrayal of Muslim men’s ruthless domination needing to be curbed? It will be interesting to see what role Kamala’s white male friend “Bruno” plays in respect to this. It would be tragic if he is the one who Kamala feels safe to confide in, or who helps liberate her, or who gains an intimate relationship with her, because all of these correspond with racist imaginings of how the hierarchical relationship between white men and brown women should be. Continue reading Sitt Marvel →

Politics and the Evolution of Takfeer in Yemen

"Arab Spring", Ethics, Gender and Sexuality, Islamic Law, Terrorism Issue, Yemen

By Sama’a Al-Hamdani and Afrah Nasser for The Atlantic Post, Yemeniati, October 12, 2013

I was declared an apostate at the end of April 2013 because of a political seminar on women’s empowerment hosted at my college in Taiz. In this gathering, I stated that Islam’s most stringent provisions – whether in the Qur’an or the Sunnah – are meant to refine rather than to terrorize. A radical cleric twisted my words and said that I called the Prophet Mohammed a liar and based on it, I was labeled a Kafir (apostate). – Sally Adeeb, age 21, law school student.

Since the overthrow in Yemen of former president Ali Abdullah Saleh in 2011, 11 people have been accused of apostasy (see chart 1 below) in the practice referred to as Takfeer. One of them, Jamal al-Junid, was detained by the police in May 2013 for 15 days and finally was released after the staging of several protests. Another accused “apostate” is Ahmed Al-Arami, a literature and arts lecturer who was labeled a “secularist” in April 2013 and subsequently fled the country because of serious threats and the possibility that he might be executed. The sensitivity of offending religion is a stumbling block in the quest to return Yemen to stability.

NDC and the Evolution of Takfeer

Yemen’s National Dialogue Conference (NDC), which was launched in March 2013 and is part of a Gulf Cooperation Council plan for a negotiated transition for Yemen, has been targeted for accusations of apostasy by one of the country’s leading clerics. Abdul Majeed Al-Zindani, Yemen’s influential Muslim Brotherhood/Wahhabist cleric who is also listed as a “specially designated global terrorist” by the United States Treasury Department in 2004, recently released a YouTube video in which he condemned the current NDC political process. The video presentation discussed the framing of the state’s legislation being managed by “the State Building Committee” and claimed that the majority of the committee’s members had voted that Islam is “the state’s main source of legislation” instead of “the state’s only source of legislation.” Continue reading Politics and the Evolution of Takfeer in Yemen →

Burqa Avenger

CyberOrient, Ethics, Film and Video, Gender and Sexuality, Pakistan

Most of the debate over a Muslim woman who wears the burqa, niqab or hijab centers on how this restricts her freedom of choice. Those who are against the burqa argue that it is a preeminent icon of patriarchy and that societal pressure, valorized with religious rhetoric, does not give a Muslim woman a true sense of choice. The issue is hottest in Western contexts, where a woman wearing a burqa or niqab stands out almost as much as if she was walking around naked. On the other side, there are Muslim women who insist they are exercising free choice and choosing to dress in the conservative manner they want. Regardless of where you stand on the issue, the burqa is inevitably seen as an item that limits a woman’s movement or protects her, not one of empowerment.

So here comes Burqa Avenger to the rescue. This is a video cartoon series in which the star is a female Superwoman/Spiderwoman/Batwoman takeoff, a contemporary way of commanding the right and forbidding the wrong. The series itself is state-of-the-art in its cinematic presentation. You can even get a free app for a Burqa Avenger game on your iphone. As in all cartoons, the characters tend to be stereotypes. Of course, this makes the good stand out from the evil in a stark way that is seldom the case in real life. But the inspiration for the series is to provide young Muslim girls with a positive role model. Continue reading Burqa Avenger →