Category Archives: Countries

Sunni-Shi’a Relations in Mamluk and Ottoman Contexts

Islamic History, Ottoman Empire, Shi'a, Sunni, Syria, Turkey


by Stefan Winter

There is a wealth of literature on Sunni-Shi’a relations relating to many periods and places of Islamic history. I attach a brief list of titles on the Mamluk and Ottoman cases with which I am familiar below.

Beyond that, however, there is probably a good reason why “this confrontation” and “its new relevance in today’s politics” is dealt more with in journalistic analyses than scholarly works. To link all instances of conflict or contact between given Sunni and Shi’a actors throughout Islamic time and space, from Pakistan to Lebanon, from Siffin to Doha, to a single ongoing confrontation, as modern observers often do, is reductionist at best.

Of course there is a fundamental theological dispute between Sunnism and Shiism and there has been no shortage of wars and communal disturbancesthat expressed themselves along sectarian lines. But such events invariably also had political and economic causes that must be investigated in their own specific context, and they should not mask the far more numerous instances when the supposed Sunni-Shii dichotomy explains absolutely nothing of, or is downright contradicted by, political events, from the Ayyubids’ tactical alliances with the Ismailis, to the Ottomans’ commercial relations with the Safavids and recourse to Shii tax farmers, to Iran’s intermittent support of Gülbuddin Hekmatiyar to the posters of Hasan Nasrallah you see all over the (conservative Sunni) suq in Aleppo today. Continue reading Sunni-Shi’a Relations in Mamluk and Ottoman Contexts →

Tuning into Tunisia

"Arab Spring", Anthropology/Sociology, Egypt, Journalism and Media, Terrorism Issue, Tunisia, Yemen

The recent revolution in Tunisia has exploded across the blogosphere, with pundits talking about a popular tsunami that may promote democracy out of the ashes of a lifelong dictatorship. In yesterday’s New York Times, Roger Cohen provided an optimistic view from his journalistic perch in Tunis: “These are heady days in the Arab world’s fragile democratic bridgehead.” Cohen, and others, are wondering aloud if Tunisia can become the new Turkey, a more or less secular democracy in which the “Islamists” are moderate members of a political mosaic. If so, then he warns that the “tired refrain of all the Arab despots that they are the only bulwark against the jihadists will be seen for the self-serving lie it has become.”

Perhaps, but one does not have to go far back into the regime of Saddam Hussein to realize that his Ba’athi party did not tolerate religiously motivated sectarian violence. Brutal as it was, his regime was a bulwark (if such a metaphor really makes sense politically) against the continual round in “liberated” Iraq of sunni killing shi’a and vice versa. But then Saddam was not brought down by a popular street uprising. Continue reading Tuning into Tunisia →

Iraqi Voices Project

Development, Immigration Issues, Iraq, Iraq War, Poetry


Photo of Khawla Hadi, Kimberly Wedeven Segall and Marwa al-Mtowaq. Iraqi Voices Panel, March 2009; photo by Luke Rutan, Seattle Pacific University.

Iraqi Voices Project: Poetry Workshops, Alternative History, and Community Awareness

by Kimberly Wedeven Segall

The dead . . .
come in shifts . . .
in our dreams . . .
over the houses we left behind.

–Dunya Mikhail, The War Works Hard

How can universities work alongside communities to build understanding of the Iraqi refugee crisis? Historically, Iraq as a state was established in 1920, centered on Baghdad, and controlled first by the British and then by Iraqi governments. As the force of the state made demands upon the people, it caused its residents “to rethink existing political identities, values, and interests,” to engage in “strategies of cooperation, subversion, and resistance,” [1] as Charles Tripp argues, and to construct narratives “to understand and to justify their political engagement.” [2]

How do memories challenge the narratives the West has presented on Iraq? How does family memory record and preserve history, after so much history has been destroyed in the post-occupation loss of valuable historical records and objects from Iraq’s museums?

The Iraqi Voices Project, 2008-2009, was designed as a workshop forum. Reading and responding to Iraqi poetry, the workshop created a forum for telling stories of displacement in Iraq and building awareness of the challenges in relocating in Seattle, Washington. Continue reading Iraqi Voices Project →

An Adeni Artist

Aden, Contemporary Art, Yemen

One of my most admired paintings by a Yemeni artist is the painting shown above by the Adeni artist Abdulla al-Ameen. I purchased the painting a decade ago at an exhibition sponsored by Yemen’s Ministry of Culture. Al-Ameen received an M.F.A. in 1984 from the Fine Arts Academy in Moscow. In addition to illustrations in books, he has designed stamps for the Yemeni government. In 1987 he received Kuwait’s “Golden Dhow Medal” for his artistic achievements.

El-Aswad on Bahraini Shi’a

Anthropology/Sociology, Bahrain, Folklore and Proverbs, Shi'a


Grand Mosque in Bahrain

Tabsir contributor El-Sayed el-Aswad recently published an article entitled “The Perceptibility of the Invisible Cosmology: Religious Rituals and Embodied Spirituality among the Bahraini Shi’a” in Anthropology of the Middle East, Volume 5, Number 2, Winter 2010 , pp. 59-76. The article is available to subscribers of the journal or for purchase. The abstract is cited here:

This article analyses the relationship between the seen and the unseen in the cosmology and practices of Bahraini Shi’a. Rather than contrasting the visible and the invisible, the study delineates the hierarchical relations between them, within a whole or cosmology, as reflected in various discursive and non-discursive actions that are supported by the religious beliefs of Bahraini Shi’a. Issues of the Hidden Imam, concealment, dissimulation and other unseen dimensions of the cosmos are discussed. The article finds that the Shi’a construct the invisible in their social world by using visible ways of creatively enacting their hidden thoughts and beliefs, as represented in their religious discourses, rituals and body symbolism. Their belief in a divine higher power provides a source of emotional, spiritual and socio-political empowerment.