Category Archives: Art

Tabsir Redux: The Last American, #2

Books You Should Read, Literature, Lithographs, Orientalism, Travel

There was a time when “Oriental Tales” were the rage of the age. Montesquieu penned Lettres Persanes in 1721 and Oliver Goldsmith followed up several decades later with The Citizen of the World. But I recently came across a late 19th century text about a future visit of a Persian Prince and Admiral to the ruins of a land known as Mehrica. This is The Last American and purports to be the journal of Khan-Li, a rather bizarre name for a Persian but so thoroughly Orientalist in mode. The Introduction to the text was provided in a previous post.

It is quite apt that the epigraph for the book is a dedication to “the American who is more than satisfied with himself and his country.”
Given the recent “Occupy Wall Street” interest, here is a century old look at what it might have been in ruins…
Continue reading Tabsir Redux: The Last American, #2 →

Tabsir Redux: The Last American, #1

Books You Should Read, Literature, Lithographs, Orientalism, Travel

There was a time when “Oriental Tales” were the rage of the age. Montesquieu penned Lettres Persanes in 1721 and Oliver Goldsmith followed up several decades later with The Citizen of the World. But I recently came across a late 19th century text about a future visit of a Persian Prince and Admiral to the ruins of a land known as Mehrica. This is The Last American and purports to be the journal of Khan-Li, a rather bizarre name for a Persian but so thoroughly Orientalist in mode. The admiral visits America in 1990 ( a century after the book was written), when American is in ruins, following the massacre of the Protestants in 1907 and the overthrow of the Murfey dynasty in 1930. But let the introduction to the text set up the marvels…

Continue reading Tabsir Redux: The Last American, #1 →

MET Conference on Islamic Art, Culture and Politics

Archaeology and Antiquities, Architecture, Art, Conferences and Talks, Miniatures


Prince in a Garden Courtyard. Folio from an illustrated manuscript (detail). 1525-30, Iran. Opaque watercolor, ink, gold, and silver on paper, 8 9/16 x 4 3/4in. (21.7 x 12.1cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1911 (11.39.1)

Islamic Art, Culture, and Politics: The Connections

Tuesday, April 1, 2014, 6 pm
The Metropolitan Museum of Art

With Peter Brown, Yasmine El Rashidi, Haleh Esfandiari, Shaul Bakhash, and Navina Najat Haidar, Curator, Department of Islamic Art

The New York Review of Books and Met Museum Presents examine the living traditions of the Islamic world, in the setting of modern conflict and variations in Muslim culture. Editor Robert Silvers brings together a group of contributors for a panel discussion on the interconnectedness of art and ethos.

Save $5 per ticket with code NYRB14 at metmuseum.org. Offer expires March 30.

#WithSyria and Banksy: Saving Syria through Orientalism

"Arab Spring", Contemporary Art, Gender and Sexuality, Orientalism, Syria


Banksy’s two girls: #WithSyria campaign (L) and “There is always hope” (R)

by Hisham Ashkar, on/off..but mostly off, March 7, 2014

Ahead of the third anniversary of the Syrian uprising, a coalition of international organizations was formed, #WithSyria, urging people around the world to hold vigils on 15 March, with the aim to “show our leaders that we will not give up on the people of Syria, that they must act to bring an end to the bloodshed and to get aid to all those who need it.”

Among the organizations, we can find Amnesty International, Save the Children, Reporters Sans Frontières and the Church of England.

In their mobilization effort, they recruited Banksy, and indeed the famous anonymous British graffiti artist didn’t fail to impress us once again. He produced an original Banksy for the campaign, that Amnesty proudly twitted it.

This new Banksy reminds us of an old Banksy: A young girl losing a heart-shaped balloon to the wind. Behind her on the staircase is written “There is always hope.” The graffiti was made in 2007.

For #WithSyria campaign, the little girl was given a veil. Well yes, it’s very logical! Syria is a Muslim country. Muslim women are dotted with veils. So to be politically correct , and to take in consideration and not to offend the feeling of Muslims, the little girl wears a veil.

Maybe Banksy didn’t thought much of that while drawing his work. But this reveals an unbearable amount of ignorance, stereotyping and orientalism, not only from Banksy, but also from the organizations in #WithSyria camapign. Continue reading #WithSyria and Banksy: Saving Syria through Orientalism →

Islamic Medicine at Yale

Animals, Food and Drink, Gender and Sexuality, Islamic Sciences, Islamic Texts, Miniatures, Orientalism, Scholars


Ibn Sina’s (d. 1037 CE) Qanun, copied in Shiraz in 1645 CE

For anyone interested in the history of Islamic medicine, there are some rare editions of texts by famous Muslim scholars like Ibn Sina (Avicenna), Ibn Masawayh, al-Antaki, al-Damiri, and others, including a few 19th century French translations published in North Africa. These are available to view or as pdfs at Yale University’s library. Below is the press release about the collection:

YALE UNIVERSITY PRESS RELEASE

This digitized collection of selected volumes of medical books and manuscripts, dating from 1300 to 1921, is drawn from the Medical Historical Library, Cushing/Whitney Medical Library. This collection reflects the Arabic and Persian intellectual efforts that translated, augmented, and transmitted Greek and Roman medical knowledge to Western societies during the Renaissance. It includes iconic works by authors such as Avicenna and al-Razi.

The Medical Historical Library, originally formed by the joining of three collections by bibliophiles Harvey Cushing, John Fulton, and Arnold Klebs, has over 120,000 volumes dating from the 12th to the 21st centuries. While primarily composed of works in Western medicine and science, a smaller selection of Arabic and Persian books and manuscripts are a “hidden collection” in the Library. Through the support of the Arcadia Fund, the Medical Historical Library was able to digitize Arabic and Persian books and manuscripts, as well as early translations in Latin, French, and English. Continue reading Islamic Medicine at Yale →

An American Tabari, #4

Islam and Christianity, Lithographs, Orientalism, Orientalist Images

In a previous post I continued a series on the universal history of John Clark Ridpath. The image above is the classic image of a preacher, looking more Gospel than imamic to my eyes. I would question the sincerity of a famed imam who relied on a print version of the Quran rather than his own memory, as the image above suggests. The “preacher” with hands outstretched is a trope that crosses cultures, whether or not it is the cross being pounded on the pulpit (and certainly not on the minbar). Consider John Eliot who set his eyes on converting the “heathen” natives of the new world:

Or the long history of fire-and-brimstone wailing of American Protestants.

An American Tabari, #3

Islamic Rituals, Lithographs, Orientalism, Orientalist Images

In a previous post I continued a series on the universal history of John Clark Ridpath. As one might expect, a particularly important place is reserved for Mecca itself. The image above is an ornamentation for the start of Ridpath’s discussion of Islam. The image below is a drawing of the hajj season where any sense of the individual is lost, resulting in a blur of heads.

to be continued