
Rumi Rocks, literally. Check out this Iranian video…



Mother and Child with a White Cat. Attributed to Manohar (active ca. 1582–1624) or Basawan. Photo credit: The San Diego Museum of Art
There is nice online collection of Mughal court images of Christianity from the courts of Akbar and Jehangir, after being contacted by Jesuit missionaries. Check it out here.

Turkey in the Ergogan era is undergoing an interesting change. Now it seems the course is less about economically reinvading Europe than going on a kind of Ottoman-matic pilot course. A committee has recently announced a call to have mandatory teaching of Ottoman in Turkish high schools. “According to the proposal, Ottoman Turkish should be compulsory because people in Turkey are not able to read documents from Ottoman times, including the epitaphs of their forefathers. The proposal argues that Ottoman Turkish is necessary to keep Turkish people’s ties with their past strong,” notes a Turkish paper. As a student of history in the region, I am delighted that there should be such an interest in promoting the study of Turkey’s Ottoman past. But given that Ataturk must be rolling over in his mausoleum, one wonders about the political symbolism in such a revival.
President Erdogan has come under considerable criticism at home and abroad for his support of the Muslim Brotherhood, a more conservative brand of Islam than many Turks favor, and his apparent failure to stem the tide of Western and Arabic recruits for the ISIS/ISIL/IS caliphate in the making (and unmaking) to his south. Now that there is a new Ak Saray (White Palace) for President Erdogan with 1,000 rooms on 150,000 sq. m of former forested land and at a cost now nearing $615 million, the idea of reviving the Ottoman caliphate is clearly waiting in the wings (and that saray has a lot of wings). The Middle East still has its kings, sultans and emirs, even if most of the dictators have bit the dust. So can Ak Saray blend with the Topkapi to form a new re-Ottomanized Turkey? Continue reading Otto-mania

Check out the new podcast by Nur Sobers-Khan on the Ottoman History Podcast Site. Here is a description of the podcast:
The legal and social environments surrounding slavery and manumission during the early modern period varied from place to place and profession to profession. In this episode, Nur Sobers-Khan presents her exciting research on the lives of a particular population of slaves in Ottoman Galata during the late eighteenth century, how they were classified and documented under Ottoman law, and the terms by which they were able to achieve their freedom.

by Kathryn Zyskowski, Cultural Anthropology
Click here to read the five articles and interviews with the authors.
This collection gathers together five articles previously published in Cultural Anthropology, by Naveeda Khan, Hayder Al-Mohammad, Carolyn Rouse and Janet Hoskins, Kenneth George, and Arzoo Osanloo. The collection also includes interviews with the authors, who reflect on their work, as well a commentary on the whole collection from Charles Hirschkind. The articles engage with everyday aspects of living, negotiating, and constructing the world among contemporary Muslims. Moving beyond a focus on the aesthetics of dress, gender relations, or the text in Islam, the collection crosses national boundaries and thematic areas, touching on the immense diversity of nations, peoples, languages, and ideas that fall under the category of Islam. A broad array of ethnographic material is included in the collection: gathering to eat soul food in Los Angeles, navigating a kidnapping in post-invasion Iraq, a child’s relationship to a jinn (spirit/ghost) during sectarian violence in Karachi, discourses around justice in media and conversation surrounding a young man’s death sentence in Iran, and debates about the production of Islamic art in Indonesia.
Continue reading Everyday Islam

Image by Naji al-Ali. Painted on the Palestinian side of the separation barrier close to Bethlehem.
by Ammiel Alcalay, Warscapes,
August 11, 2014,
You know as well as I do that a people under occupation will
be unhappy, that parents will fear for the lives of their precious children,
especially when there is NOWHERE TO HIDE.
You know as well as I do that a husband’s memory of his wife forced to
deliver their child at a checkpoint will not be a happy one. You know as
well as I do that the form of her unborn child beaten to death in the womb
will never leave a mother’s mind. And you know as well as I do that a girl will
have cause to wonder at the loss of her grandfather, made to wait on his
way to the hospital, and she’ll have cause to cry at the bullet lodged
in her brother’s head — You know as well as I do that watching
someone who stole the land you used to till water their garden
while you hope some rain might collect to parch your weary throat

On September 14 the new Aga Khan Museum in Toronto, Canada opened. Details below:
The Aga Khan Museum in Toronto, Canada offers visitors a window into worlds unknown or unfamiliar: the artistic, intellectual, and scientific heritage of Islamic civilizations across the centuries from the Iberian Peninsula to China.
Its mission is to foster a greater understanding and appreciation of the contribution that Islamic civilizations have made to world heritage. Through education, research, and collaboration, the Museum will foster dialogue and promote tolerance and mutual understanding among people.
As a vibrant educational institution, the Museum encourages the full spectrum of public engagement with its diverse Permanent Collection of more than 1,000 objects and its ever-changing roster of exhibitions and innovative programs – including music, performances, culinary traditions, lectures, debates, special events, or film.
The Aga Khan Museum has an international mandate. It maintains strong ties with such institutions as the Musée du Louvre in Paris, the State Hermitage Museum in St. Petersburg, and the Museum of Islamic Art in Doha, Qatar. It is also deeply committed to forging relationships with Canadian institutions and communities. Together, these global and local connections generate exciting opportunities to enhance scholarship, inspire temporary exhibitions, and produce public programs honouring the spirit of collaboration upon which the Museum is built.


Turkey – “The sick man of Europe”, by John Leech, Punch, September 17, 1853
For a fascinating collection of cartoons, many from Punch, since 1853, check out the website “A Cartoon History of the Middle East,” compiled by Peter Casillas.