Long before Lady Gaga or even Ella Fitzgerald there was the belle of Edison Record vaudeville. This was the warbler Ada Jones, who often sang duets with the indefatigable Billy Murray. One of her early songs, from 1909, was entitled “An Arab Love Song.” You can hear it on an original Gramophone on Youtube. A better recording is available here.
bottom right, Car used to transport Lord Carnarvon to and from Tut’s tomb in the 1920s
Conspiracy theorists and Hollywood movie moguls love King Tut. Take a young boy who becomes Pharaoh at age 9, only rules for a decade, marries his sister, and whose long forgotten tomb with gold aplenty is discovered in full media light in the Roaring 20s … and what do you have: an Ancient Egyptian prequel to Star Wars. Add to it a curse like “Death shall come on swift wings to him who disturbs the peace of the king” and there is even more mummy stardust. But the curse has it wrong; it should have read “Profit shall come on swift wings to him who distributes as many pieces as possible about the king.” Millions of people worldwide have read about King Tut, stood in line to see the major exhibitions and come under the spell of the glittering gold. I remember the long lines outside the Met in 1976, the emptiness on descending tourist-style into King Tut’s tomb in the Valley of the Hidden Kings, and the less than spectacular ambiance of Tut’s remains in Cairo’s old museum.
Yesterday I had the opportunity to rediscover Tut in the exhibit still running at the Discovery Times Square Exhibition. But hurry, if you are in New York, because Tut moves on to another set of paying admirers after January 17. Continue reading Rediscovering the Uncovering of King Tut
By Mona Eltahawy, The Jerusalem Report, November 24, 2010
I was 23 years old and I was interviewing an Egyptian feminist who had just taken over as editor-in-chief of a women’s magazine of the cooking-and-fashion variety, which she had vowed to turn into the go-to magazine for women’s rights.
I was excited to meet her because she was one of the real-life feminists that my recently returned-to-Egypt self loved to meet to help me turn theory into action. Ever since I’d discovered feminist journals on the bookshelves at my university in Jeddah, Saudi Arabia, at the age of 19, I’d devoured all I could of the theory.
I had returned to Egypt at 21 hungry to put it into action. My first encounter with those essays was nothing short of terrifying. That’s how you know what you need – it scares the hell out of you because it encourages you to jump but you don’t know if you’ll ever land. Religious conservatism was suffocating me in Saudi Arabia and I was losing my mind. I didn’t care about landing. I was overdue for a jump.
So returning to Egypt at 21 after 14 years away was a chance to water that seed of feminism with the sustenance of real-life women who embodied it. I looked for them everywhere I could. Many of the older women practically adopted me, inviting me to their meetings, sending me their latest reports and alerting me ahead of important conferences they were holding. Continue reading Me and the Feminists
Check out this new website, initiated by Ursula Biemann and Shuruq Harb, this month: “ArtTerritories is conceived as an independent platform for artists, thinkers, researchers and curators to reflect on their art practice and engage in critical exchange on matters of art and visual culture in the Middle East and the Arab World. Dedicated to the interview format, the initiative encourages discussion of artistic process with an emphasis on discursive art and media practices, collaborative initiatives, and cultural and institutional politics. ArtTerritories aims to define, connect and expand already existing art communities in the region as well as an ever-growing invested international arts community.”
Photograph by Ahmad Hosni, from his Go Down, Moses project
The following is a sample of an interview with photographer Ahmad Hosni.
Ursula: The book is the result of intense but somewhat undirected exposure to desert experience with its chance encounters, local stories and tourist ethnographies, tinted by a literary reading of an eclectic range of writers, some of whom are discussed in the book. Continue reading Art Territories
[Webshaykh’s note: The following is a book review by Yoginder Sikand, who maintains the blog Madrasa Reforms in India.]
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Review of Global Mufti—The Phenomenon of Yusuf al-Qaradawi.
Edited by Jakob Skaovgaard-Peterson & Bettina Graf (Hurst & Co, London, 2009,
ISBN: 978-1-85065-939-6
Reviewed by: Yoginder Sikand
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The Qatar-based Egyptian Yusuf al-Qaradawi is among the most well-known Islamic scholars on the contemporary global scene. It might be something of an exaggeration to label him as a ‘phenomenon’ and as the ‘global mufti’—which is what the very title of this book hails him as—but that he exercises an enormous influence in numerous Islamic scholarly and activist circles is undeniable.
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This book is a collection of essays on diverse aspects of Qaradawi’s life, achievements and writings. In their introductory essay, the editors of the volume provide a broad overview of his life, against which they situate his scholarly and activist accomplishments. Born in a poor family in a village in Egypt in 1926, Qaradawi studied at Cairo’s Al-Azhar, then the largest seat of traditional Islamic learning, after which he shifted to Qatar as emissary of his alma mater. It was there, we are told, that Qaradawi established himself as a noted scholar and activist, traveling widely across the world and establishing a number of Islamic institutions. The editors provide a pen-portrait of a passionate, dedicated scholar-activist, seeking to revive the rapidly disappearing tradition of socially-engaged ulema, who Qaradawi believes, should lead Muslims in the twenty-first century. Continue reading Sikand on Qaradawi
Leila, left; Dr. Najwa Adra, right
Dance Workshop & Discussion: Leila of Cairo and Anthropologist Najwa Adra
Wednesday, September 1, 2010 6:00 pm at Alwan for the Arts
Workshop: 6:00-8:30 pm
Discussion: 8:30-10:00 pm
This evening of dance and discussion provides an opportunity much needed in the bellydance scene: to both embody the feeling of Egyptian raqs sharqi through movement and music, and also to speak to the controversial issues surrounding the dance through dialogue with experts. Alwan welcomes acclaimed dancer Leila of Cairo, and esteemed scholar Najwa Adra, to kick off its 2010-2011 season of culturally contextualized, quality dance and performance.
Dance Workshop with Leila of Cairo
Understanding Classical Egyptian Music for Dance
6:00-8:30 pm
The historic songs of Oum Kalthoum, Abdel Halim Hafez and Warda can be intimidating for dancers of all levels. Join Leila as she navigates through the musical structure of these complex compositions. Explore Egyptian versus Western interpretation of these songs, and utilize Egyptian technique to express the music and ultimately, yourself, within the dance.
Take advantage this rare opportunity to learn with Cairo-based, American-born Leila, who has won over Egyptian audiences with her dance, film and stage appearances.
Discussion with Najwa Adra PhD and Leila
Raqs, What’s the Point? Diverging Bellydance Traditions in Egypt and the U.S.
8:30-10:00 pm
This discussion focuses on differences of perception, meaning, context and technique of the dance known simply as raqs or raqs sharqi in the Arab world, and as bellydance in the US. Leila draws upon her experiences as a US-born dancer who has an exceptionally successful career as a performing artist in Eygpt, while Najwa highlights related issues from her fieldwork research, writings and lifetime of participating in social dance traditions of the Arab world. The talk-back will touch upon notions of authenticity, cultural appropriation and orientalization in the dance. Come with questions and comments! Continue reading Dance Workshop & Discussion: Leila of Cairo and Anthropologist Najwa Adra
Nasr Abu Zaid was a brave and honest scholar disgracefully persecuted for his attempts to read the Quran historically
by Brian Whitaker, The Guardian, July 6
The divorce case was what made him famous, though it wasn’t the usual kind of celebrity divorce and Nasr Abu Zayd was still in love with his wife.
Abu Zayd, the liberal Muslim thinker who died yesterday, first came to the attention of Islamists while teaching Arabic literature at Cairo university in the early 1990s. They decided that his research contained “clear affronts to the Islamic faith” and accused him of apostasy.
That in turn inspired a group of Islamist lawyers to file a third-party (“hesba”) case, seeking to divorce him from his wife on the grounds that a Muslim woman cannot be married to an apostate – and after a series of court hearings his marriage was declared null and void.
Such was the controversy after the verdict that Cairo university was “turned into a military fortress” to protect him the next time he made an appearance there. Realising that it was impractical to continue teaching under those conditions, and after one of his guards was heard describing him as “the infidel”, Abu Zayd and his “ex-wife” left Egypt and settled in the Netherlands. Continue reading Divorcing fundamentalism
Postcard from about 1911