
Figure 1. A Replica of the head of Imam Husayn
by El-Sayed el-Aswad
University of Bahrain
Art, in its broad meaning encompassing performance and non-performance forms of expression, plays a significant part in Bahraini imagination and folk culture. The focus here, however, will be on the innovative aspects of Shi‘a vernacular art. Among the Shi‘ti people of Bahrain there has been a shift from traditional or old-fashioned styles of mourning and commemorating the tragic events of ‘Ashura, or the tenth of Muharram (the first month of Islamic calendar in which Imam Husayn, grandson of the prophet Muhammad, was martyred) to a modern way of expression reflected mostly in the art.

Figure 2. Imaginary of al-‘Abbas, the sibling of Imam Husain
During the first ten days of Muharram, colorful forms of calligraphy, iconography, replicas (tashihat), ritual and visual representations are presented and meticulously enacted in exhibitions and in the streets of Manama, the capital city of Bahrain, as well as in most of the villages with Shi‘a majorities. Continue reading Art, Religion and History: The Case of Bahrain


