
There are many beautiful cities in the world, but Istanbul is near the top. Check out this online album of photographs.

There are many beautiful cities in the world, but Istanbul is near the top. Check out this online album of photographs.

MessyNessy has put a page about the Marsh Arabs with some fabulous pictures. Check it out here.
It was Iraq’s ‘Garden of Eden’; unique wetlands in southern Iraq where a people known as the Ma’dan, or ‘Arabs of the marsh’, lived in a Mesopotamian Venice, characterised by beautifully elaborate floating houses made entirely of reeds harvested from the open water.

[Webshaykh’s Note: This study is perhaps a bit dated and overstretched, but it can help explain why Iraq and Syria still matter (well, sort of…). I sort of doubt all the handsome men were farmers back then… or could it be that handsome Turks turned the eyes of lassies in Ireland independent of their farming expertise?]
Most Britons descended from male farmers who left Iraq and Syria 10,000 years ago (and were seduced by the local hunter-gatherer women)
By David Derbyshire for MailOnlineUpdated: 13:37 GMT, 20 January 2010
Most Britons are direct descendants of farmers who left modern day Iraq and Syria 10,000 years ago, a new study has shown.
After studying the DNA of more than 2,000 men, researchers say they have compelling evidence that four out of five white Europeans can trace their roots to the Near East.
The discovery is shedding light on one of the most important periods of human history – the time when our ancient ancestors abandoned hunting and began to domesticate animals. Continue reading Those Levantine British Libertines…

The Prince of Wales and group at the Pyramids, Giza, Cairo, March 1862 Royal Collection Trust / (c) Her Majesty Queen Elizabeth II 2014
Prints from first photographed royal tour go on show at Buckingham Palace. Click here to see ten images.

A gallery of 40 photographs of Istanbul during the late Ottoman period is available online at http://ilmfeed.com/40-photos-of-ottoman-istanbul-from-the-1900s/. Here is a small sample.
Continue reading Ottoman Istanbul in the early 1900s

The Sundance Institute has announced the six projects set for this year’s New Frontier Story Lab, a hands-on initiative for developing content that converges at the intersection of “film, visual art, media, live performance, music and technology.†The 2014 creative teams and projects are Karim Ben Khelifa and Chloé Jarry (The Enemy), Dandypunk and Darin Basile (Heart Corps), Tracy Fullerton and Lucas Peterson (Walden, A Game), Braden King and Matthew Moore (Weather), Hasan Minhaj and Greg Walloch (Sakoon/Paint The Town) and Navid and Vassiliki Khonsari (1979 Revolution). Previously supported projects include #PostModem (from 25 New Faces Jillian Mayer and Lucas Leyva), Kill Shakespeare, 18 Days in Egypt and The Silent History.
Workshopping at the Lab, which runs from October 22 – 27 at the Sundance Resort in Park City, includes individualized story sessions, conversations about key artistic, design and technology issues, and case study presentations from experts in diverse related disciplines. Detailed descriptions of each project can be found below.
The Enemy
Karim Ben Khelifa and Chloé Jarry
The enemy is always invisible; When he becomes visible, he ceases to be the enemy. Two combatants from opposing sides observe each other. Each of them explains why they are fighting – what made them decide to take arms in order to defend their beliefs, their family, their country, their clan or their faith.
Karim Ben Khelifa is an award winning photojournalist and war correspondent who has freelanced regularly for Time Magazine, Vanity Fair, Le Monde, the New York Times Magazine, Stern and dozens of others. He was the 2012 Carroll Binder Fellow at the Nieman Foundation for Journalism at Harvard University, where he has also given talks and lectures.
He is currently a Visiting Scholar and Artist-in-Residence at the Open Documentary Lab at the Massachusetts Institute of Technology in Cambridge. Continue reading Karim Ben Khelifa at Sundance

Istanbul, where minarets share space with commercial signs
Having spent a short eid vacation in Istanbul, I had the opportunity to walk around the Sultan Ahmet and Eminönü areas. The main streets near the Sultan Ahmet mosque and Topkapi were full to overflowing with tourists from just about everywhere. The lines to enter the major sites stretched for hour-long waits, so I decided it was more prudent to simply walk the back streets with no particular goal in mind. On the way to the Spice Suq, where many of the shops remained open to satisfy the crowds of tourists and merchants’ pockets, I saw the iconic duality of modern Turkey in full force. On one building is a commanding mural of Ataturk, but across the street rises a conservative Islamic center. Down the road from an Ottoman religious shrine there will be a Starbucks or Burger King. Outside a fashion store is a giant image of a vivacious woman in Victoria’s Secret-like underwear, as a woman in niqab walks by. East and West, Ottoman vs. Republic, liberal and conservative: contemporary Turkey is where academically unfashionable binaries rule the streets, if not the hearts and minds of many Turks.
Of course this is the touristic center of Istanbul, complete with the tram stop that always seems to have a crowd outside. There must be a hundred or more small hotels and just as many restaurants and cafes. Kebab (or Kebap, if you prefer) is cuisine’s sultan here today. We stayed in the delightful and relatively inexpensive World Heritage Hotel, where the hospitality and ambiance are superb, and only a short walk from the Sultan Ahmet mosque, whose majestic minarets we could see from our breakfast table. Of the many restaurants nearby, my favorite was Amedros, which offers a wide range of dishes beyond the ubiquitous kebab fare. For authentic Ottoman cuisine, be sure to visit Asitane, which is near the Kariye Camii and Chora Church Museum. Of course, the joy of being in Istanbul is the constant discovery of something you will enjoy. If you have never walked these streets and alleys, you are missing a jewel outside the museums, splendid as they are.

There is an extraordinary collection of 47 Magic Lantern slides from the 1930 Beloit College Logan Museum Expedition to Algeria by George L. Waite, the photographer and cinematographer. This is available in an online collection at the website of the Smithsonian Institution. Click here to access the collection.
