
by Christa Salamandra
Lehman College, CUNY
If you enter the Old City of Damascus at Bab Sharqi (the Eastern Gate), walk a few yards along a Street Called Straight, and turn down the first narrow alley on your right, you will find, jutting out from among the inward-looking Arab-style houses of this quiet residential quarter, a sign advertising “Le Piano Bar.†Enter through the carved wooden door, walk along the tile-covered foyer, under the songbird’s cage, past a display case strung with chunky silver necklaces, and step up a stone platform to the raised dining room. Here well-heeled Syrians sit at closely spaced tables, drinking arak and Black Label whiskey, and eating grilled chicken or spaghetti. The walls around are decorated, each in a different style. One features a collection of Dutch porcelain plates set into plaster. In another, strips of colored marble hold a series of mosaic-lined, glass-covered displays of wind instruments. A third wall features two floral wrought-iron gated windows draped in a locally produced striped fabric. Wrought-iron musical notes dance on the last. At the from of the long, arch-divided room is a huge mother-of-pearl-framed mirror. Set into the top of the mirror is a digital billboard across which Le Piano Bar’s menu and opening hours float repeatedly. Patrons listen politely as the proprieter sings “My Way†and other Frank Sinatra favorites to a karaoke backing tape. When he finishes, video screens tucked into corners feature Elton John song sing-alongs. Some nights a pianist and clarinetist play Russian songs as patrons clack wooden catanets. Continue reading A New Old Damascus





