Category Archives: Orientalism

On Mahometanism, 1833 style


One of the books owned by a great, great aunt of mine in Cleveland was A History of the Church, etc., published in 1833. The bottom of the frontispiece is torn, so I do not know the publisher, although I suspect it was printed in Boston. It is a general history of Christianity with extended comments on other religions, including “Mahometanism.” The author is a certain C. A. Goodrich, who is decidedly Protestant and as unfriendly to Roman Catholicism as he is to Islam and Hinduism. Several parts of the text, which stretches a robust 504 pages, deal with Islam and are interesting for the biased perspective of the time. The history of the Church is according to periods, and Period V is labeled “The Rise of Mahometanism” (at the top of the pages of the chapter); the longer title is “The Period of the Rise of the Mahometan Imposture will extend from the establishment of the supremacy of the Roman Pontiffs, A.D. 606, to the first Crusade, A. D. 1095.” Period VI covers the Crusades, followed by the Reformation and then a very long chapter on the Puritans.

At the start of the section is a small lithograph of Muhammad, mounted on a steed with a sword in hand. Some of the information is descriptive; some even praises Muhammad, but it is clear that the author despises Islam as the excerpts below well show:


A History of the Church, 1833, p. 96

Continue reading On Mahometanism, 1833 style

Orientalist Images #3: Oil as a Happy Thought



[With this post I continue a series dedicated to photographs in an “Orientalist” mode. In addition to Reading Orientalism (which is also the title of my last book), the creation of an imagined Orient is very much a pictorial voyeuristic voyage. In this series I focus on Western images of the Middle East and North Africa, both those that perpetuate stereotypes and those that chip away at the bias. Readers of the blog are welcome to send in images they have found and want to share.]

I continue with images from a 1933 edition of Richards Cyclopedia, with 24 volumes published in New York by J. A. Richards, Inc and edited by Ernest Hunter Wright and Mary Heritage Wright. This is an unusual encyclopedia, arranged by topics in a more or less arbitrary order but replete with images. One of the articles is called “The Mtchless Story-Teller” (vol 18, pp. 4433-4448) and retells several of the more famous tales from the Arabian Nights. In the story of Ali Baba and the Forty Thieves the plot to learn the secret of the cave from Ali Baba unfolds with a slave girl named Morgiana pouring hot oil in the vats where a number of robbers were hiding. But the reader is assured in the caption that it was a “happy thought” to so dispense with the troublemakers. Ah, how Orientalist to assume this part of the world has oil to burn…

to be continued

New Orientalism at a German University?

By Andreas Neumann, Erlangen Center for Islam & Law in Europe (EZIRE)

Recently, at one of the many German universities of excellence (names do not matter), students and other citizens were invited to a lecture with the title: “Stoning: a Non-Islamic tradition.” The hosts were the Seminar for Arab and Islamic Studies and the Institute of Criminal Sciences. The picture represented here is taken from the poster hanging all over the campus and also in the city. At its center, you see a huge hand on the point of casting a crude edged stone in the direction of the observer. In the foreground, there is an olive branch. The colors in the background evoke the national flag of Iran flying in wind. A short analysis might be fruitful. The picture is an example of contemporaneous stereotyped thinking and also transports a message contrary to the requirements of reason.

The hand, disambiguated by the context, symbolizes the gruesome act. It is combined with the enlarged olive branch. The olive branch was a symbol of peace in Greek and Roman antiquity, when it also was worn as an adornment by brides. Retrospectively, it was associated with Noah who sent out a dove which returned with an olive leaf in its beak (which became a branch in the Vulgate). This sign indicated that the water was receding. There might exist an older model of this image, since the association of the dove, the olive branch or even the rainbow with peace does not follow conclusively from the text. The Quran has not taken it over in its frequent references to the Genesis version of the story of the Flood (also see the account by Heinrich Speyer, Die biblischen Erzählungen im Qoran, Gräfenhainichen 1931, pp. 89-115). Nevertheless, the olive tree (by the way, in German more often called “Ölbaum”, oil tree) is cited several times in the Quran, especially in the beautiful verse of the light, Q 24:35, where the blessed olive tree in question is characterized as neither Eastern nor Western (cf. Zechariah 4:3-11). The olive branch has become an international symbol of peace and is represented on the emblem of the United Nations, where two of them symmetrically embrace a map of the world. Continue reading New Orientalism at a German University?

Aesop’s Fabulous Camels (and an Ass) #2


Aesop’s Fables, 1888, p. 132

One of the joys of returning home to where I was born is going through the books that my grandmother once owned. In a previous post I mentioned an 1888 edition of Aesop’s Fables, translated by George Fyler Townsend. In leafing through the fables I found several that talk about camels and one that refers to an “Arab.”

In this post I provide three of the fables, Continue reading Aesop’s Fabulous Camels (and an Ass) #2

Orientalist Images #2


Half of the painting for the inside cover of Richards Cyclopedia, by Edwin Winfield Hall


[With this post I continue a series dedicated to photographs in an “Orientalist” mode. In addition to
Reading Orientalism, the title of my last book, the creation of an imagined Orient is very much a pictorial voyeuristic voyage. In this series I focus on Western images of the Middle East and North Africa, both those that perpetuate stereotypes and those that chip away at the bias. Readers of the blog are welcome to send in images they have found and want to share.]

I continue with an image from a 1933 edition of Richards Cyclopedia, with 24 volumes published in New York by J. A. Richards, Inc and edited by Ernest Hunter Wright and Mary Heritage Wright. This is an unusual encyclopedia, arranged by topics in a more or less arbitrary order but replete with images. The inside cover, half of which is shown above, is a collage of cultural references. Across the top one finds the beginnings of civilization (at least in the thinking of the time) in the ancient Egyptian pyramid and sphinx, with a towering medieval castle above and both a modern airplane and image of Saturn looking down on ancient Greece, where a beautiful half-naked Grecian standing odalisque butts up against a knight in shining armor. There are ships and covered wagons in this pictorial representation of manifest destiny. The part not shown is distinctively American progress, though with a Maharajah inexplicably riding an elephant in front of a giant oceanliner. Continue reading Orientalist Images #2

One for the record books


I recently received an interesting email, not the usual spam from the widow of the last military dictator of Nigeria seeking a bank account to deposit here husband’s stolen millions, nor an enlargement claim for a part of my anatomy. No, this was a special announcement from Gerlach Books in Berlin. As you read the announcement, you can imagine my surprise to be on this list with a mere professor’s salary.

Today we would like to draw your attention to the largest scholarly library we have offered as an entity ever.

*** Hans Daiber’s Scholarly Library on Islamic Thought & Philosophy – 12,500 items ***

Each item in this library is listed in the three volume Bibliography of Islamic Philosophy edited by Hans Daiber and published by Brill as part of HdO – Handbuch der Orientalistik.

Hans Daiber’s library includes all known publications in western and non-western languages from the 15th century to the present. The total number of items is approximately 12,500 primary and secondary sources.

Today the library itself is put up for sale.
The total price of the library is 775,000.00 EUR (seven hundred and seventy five thousand Euros) plus shipping.

Apart from the hubris (“all known publications… from the 15th century to the present”), I can only imagine the size in shittim wood cubits of this Noachian bibliographic ark. Continue reading One for the record books

Old World Travel 90 years on: #1 The Sahara


Exactly 90 years ago in 1921 a four-volume set of encyclopedia-like human interest books was published as The Human Interest Library: Visualized Knowledge by Midland Press in Chicago. All four volumes ended up in my family’s library, but my favorite is the fourth volume entitled Old World Travelogues. Here is how the volume begins:

It was a saying of Lord Bacon that “History maketh one wise.” Perhaps this is not universally true, but one can scarcely traverse the history and geography of the Old World with its deeds of heroism, picturesque scenes and peoples, splendid buildings, or hallowed places, without having become wiser and better, as well as having enjoyed many an hour of keen pleasure. With the most interesting of guides, we visit splendid cities, historic rivers of scenic beauty or castle-lined banks; monument-covered battle-fields, or the haunts of poets and cavaliers.


The image above is at the head of the article on “The Sahara and its Inhabitants” (pp. 95-103). If this history is intended to make the reader wiser, it is a bleak premise indeed. Here is how the desert is represented:

The desert is a dreary, monotonous place, life there has a great sameness, there is little physical work to be done, little cooking is required and there is little to engage the attention of men. Continue reading Old World Travel 90 years on: #1 The Sahara

Orientalist Images #1: Berbers of Algeria



[With this post I start a new series dedicated to photographs in an “Orientalist” mode. In addition to Reading Orientalism (which is also the title of my last book), the creation of an imagined Orient is very much a pictorial voyeuristic voyage. In this series I focus on Western images of the Middle East and North Africa, both those that perpetuate stereotypes and those that chip away at the bias. Readers of the blog are welcome to send in images they have found and want to share.]

I start with images from a 1933 edition of Richards Cyclopedia, with 24 volumes published in New York by J. A. Richards, Inc and edited by Ernest Hunter Wright and Mary Heritage Wright. This is an unusual encyclopedia, arranged by topics in a more or less arbitrary order but replete with images. One of the articles is called “The Green Girdle of the Sahara” (vol 18, pp. 4631-4636). The subtitle is: “What Men Live Now along the Northern Strip of Africa, Where the Egyptians Started the Clock of History and Where Grim Carthage Used to Frown across the Sea at Rome?”

The article starts out by describing the Barbary coast and then adds this comment:

Although the Barbary Coast is not an Eastern, or oriental, country, lying as it does due south from Europe, it seems to visitors from Europe and America like a corner of the Orient. It has a religion out of the East, Mohammedanism (mô-hâm’êd-ân-îz’m). Among the farming peoples who make their living from its soil are many restless Jews and fierce Arabs, whose Eastern ways have been taken up by the native peoples. Thus the Berber of this small fertile strip treats his women folk as an oriental might treat them, and he has an oriental’s indifference to dirt. Yet the Berbers are cousins of the northern races, many of them having blue eyes and fair hair.

To be an Oriental outside the literal Orient, to have an indifference to dirt and to be a Mohammedan: such is the fate for the Berber in 1930’s stereotyping. The image above illustrates the sentiment of an Algerian woman who has “much to learn about hygiene.” Given the Islamic duty of ablutions before prayer and the long history of anti-bathing practice in Europe, this is a very narrow put-down indeed.


The picture immediately above shows both the hardship of being female (carrying market items on one’s head) and the beauty of the maid with flowers in her hair. Exotica über alles.

to be continued

Daniel Martin Varisco