Category Archives: Orientalism

Gems of Arabic Literature #1: Wise Words

Books You Should Read, Islam in Europe, Literature, Orientalism, Travel


With the virtual flood of book digitalization online quite a few obscure books are now available online either at archive.org or through Google. I recently came across a gem: a translation of a high school Arabic text used in Aden by the British at the start of the 20th century. The title page is shown above. The text has translations into English of classical Arabic texts, including fables, anecdotes and travel accounts. The full text can be downloaded as a pdf here. I include an anecdote about Salah al-Din below. Continue reading Gems of Arabic Literature #1: Wise Words →

On Mahometism, 1833 style: #2

Islam and Christianity, Islamophobia, Lithographs, Muhammad, Orientalist Images


A History of the Church, p. 95

One of the books owned by a great, great aunt of mine in Cleveland was A History of the Church, etc., published in 1833. In a previous post, I offered some excerpts from its coverage of “Mahometanism.” The author is a certain C. A. Goodrich, who is decidedly Protestant and as unfriendly to Roman Catholicism as he is to Islam and Hinduism. Near the end of the book is a section entitled “The Story of the World” by Josiah Conder, originally published in the Missionary Annual for 1833. Its comments on the various religions, including Islam, is quite fascinating, again as a reflection of a time when the United States was barely half a century old. Continue reading On Mahometism, 1833 style: #2 →

Old World Travel 90 years on: #2 The Simoon and Mirage

Algeria, Environment, Libya, Orientalism, Orientalist Art, Photography, Tunisia


Exactly 90 years ago a four-volume set of encyclopedia-like human interest books was published as The Human Interest Library: Visualized Knowledge by Midland Press in Chicago. In a previous post I commented on its thoroughly “Orientalist” flavor. Not only was the Sahara portrayed as a barren landscape with people who have nothing to do, but the only winds of change are violent storms summed up in the Anglicized “simoon.” Above is an image from the frontispiece to volume 2 in the series and entitled “The Dreaded Simoon – The Scourge of the Desert”. I have not been able to find the name of the artist, which is clearly pre-1921. The caption reads: “The fury of the simoon is like the blast of a furnace. Winged with the whirlwind. and charioted with thunder, it blasts everything in its course. It has the appearance of a train of fire whose murky smoke fills the whole wide expanse of the desert.”

Here is the text describing “The Scourge of the Desert” (Vol. 4, p. 97):

As the color plate shows, the simoon, described by writers, must have presented a majestic and awe-inspiring spectacle. Continue reading Old World Travel 90 years on: #2 The Simoon and Mirage →

On Mahometanism, 1833 style

Islam and Christianity, Islamic Sects, Islamophobia, Lithographs, Muhammad, Orientalism, Orientalist Images, Wahhabi


One of the books owned by a great, great aunt of mine in Cleveland was A History of the Church, etc., published in 1833. The bottom of the frontispiece is torn, so I do not know the publisher, although I suspect it was printed in Boston. It is a general history of Christianity with extended comments on other religions, including “Mahometanism.” The author is a certain C. A. Goodrich, who is decidedly Protestant and as unfriendly to Roman Catholicism as he is to Islam and Hinduism. Several parts of the text, which stretches a robust 504 pages, deal with Islam and are interesting for the biased perspective of the time. The history of the Church is according to periods, and Period V is labeled “The Rise of Mahometanism” (at the top of the pages of the chapter); the longer title is “The Period of the Rise of the Mahometan Imposture will extend from the establishment of the supremacy of the Roman Pontiffs, A.D. 606, to the first Crusade, A. D. 1095.” Period VI covers the Crusades, followed by the Reformation and then a very long chapter on the Puritans.

At the start of the section is a small lithograph of Muhammad, mounted on a steed with a sword in hand. Some of the information is descriptive; some even praises Muhammad, but it is clear that the author despises Islam as the excerpts below well show:


A History of the Church, 1833, p. 96

Continue reading On Mahometanism, 1833 style →

Orientalist Images #3: Oil as a Happy Thought

Literature, Orientalist Images



[With this post I continue a series dedicated to photographs in an “Orientalist” mode. In addition to Reading Orientalism (which is also the title of my last book), the creation of an imagined Orient is very much a pictorial voyeuristic voyage. In this series I focus on Western images of the Middle East and North Africa, both those that perpetuate stereotypes and those that chip away at the bias. Readers of the blog are welcome to send in images they have found and want to share.]

I continue with images from a 1933 edition of Richards Cyclopedia, with 24 volumes published in New York by J. A. Richards, Inc and edited by Ernest Hunter Wright and Mary Heritage Wright. This is an unusual encyclopedia, arranged by topics in a more or less arbitrary order but replete with images. One of the articles is called “The Mtchless Story-Teller” (vol 18, pp. 4433-4448) and retells several of the more famous tales from the Arabian Nights. In the story of Ali Baba and the Forty Thieves the plot to learn the secret of the cave from Ali Baba unfolds with a slave girl named Morgiana pouring hot oil in the vats where a number of robbers were hiding. But the reader is assured in the caption that it was a “happy thought” to so dispense with the troublemakers. Ah, how Orientalist to assume this part of the world has oil to burn…

to be continued

New Orientalism at a German University?

Contemporary Art, Iran, Islamic Law, Islamophobia 101, Orientalist Images, Qur'an, Shi'a

By Andreas Neumann, Erlangen Center for Islam & Law in Europe (EZIRE)

Recently, at one of the many German universities of excellence (names do not matter), students and other citizens were invited to a lecture with the title: “Stoning: a Non-Islamic tradition.” The hosts were the Seminar for Arab and Islamic Studies and the Institute of Criminal Sciences. The picture represented here is taken from the poster hanging all over the campus and also in the city. At its center, you see a huge hand on the point of casting a crude edged stone in the direction of the observer. In the foreground, there is an olive branch. The colors in the background evoke the national flag of Iran flying in wind. A short analysis might be fruitful. The picture is an example of contemporaneous stereotyped thinking and also transports a message contrary to the requirements of reason.

The hand, disambiguated by the context, symbolizes the gruesome act. It is combined with the enlarged olive branch. The olive branch was a symbol of peace in Greek and Roman antiquity, when it also was worn as an adornment by brides. Retrospectively, it was associated with Noah who sent out a dove which returned with an olive leaf in its beak (which became a branch in the Vulgate). This sign indicated that the water was receding. There might exist an older model of this image, since the association of the dove, the olive branch or even the rainbow with peace does not follow conclusively from the text. The Quran has not taken it over in its frequent references to the Genesis version of the story of the Flood (also see the account by Heinrich Speyer, Die biblischen Erzählungen im Qoran, Gräfenhainichen 1931, pp. 89-115). Nevertheless, the olive tree (by the way, in German more often called “Ölbaum”, oil tree) is cited several times in the Quran, especially in the beautiful verse of the light, Q 24:35, where the blessed olive tree in question is characterized as neither Eastern nor Western (cf. Zechariah 4:3-11). The olive branch has become an international symbol of peace and is represented on the emblem of the United Nations, where two of them symmetrically embrace a map of the world. Continue reading New Orientalism at a German University? →

Aesop’s Fabulous Camels (and an Ass) #2

Animals, Books You Should Read, camels, Lithographs, Orientalism


Aesop’s Fables, 1888, p. 132

One of the joys of returning home to where I was born is going through the books that my grandmother once owned. In a previous post I mentioned an 1888 edition of Aesop’s Fables, translated by George Fyler Townsend. In leafing through the fables I found several that talk about camels and one that refers to an “Arab.”

In this post I provide three of the fables, Continue reading Aesop’s Fabulous Camels (and an Ass) #2 →

Orientalist Images #2

Morocco, Orientalist Images, Photography


Half of the painting for the inside cover of Richards Cyclopedia, by Edwin Winfield Hall


[With this post I continue a series dedicated to photographs in an “Orientalist” mode. In addition to Reading Orientalism, the title of my last book, the creation of an imagined Orient is very much a pictorial voyeuristic voyage. In this series I focus on Western images of the Middle East and North Africa, both those that perpetuate stereotypes and those that chip away at the bias. Readers of the blog are welcome to send in images they have found and want to share.]

I continue with an image from a 1933 edition of Richards Cyclopedia, with 24 volumes published in New York by J. A. Richards, Inc and edited by Ernest Hunter Wright and Mary Heritage Wright. This is an unusual encyclopedia, arranged by topics in a more or less arbitrary order but replete with images. The inside cover, half of which is shown above, is a collage of cultural references. Across the top one finds the beginnings of civilization (at least in the thinking of the time) in the ancient Egyptian pyramid and sphinx, with a towering medieval castle above and both a modern airplane and image of Saturn looking down on ancient Greece, where a beautiful half-naked Grecian standing odalisque butts up against a knight in shining armor. There are ships and covered wagons in this pictorial representation of manifest destiny. The part not shown is distinctively American progress, though with a Maharajah inexplicably riding an elephant in front of a giant oceanliner. Continue reading Orientalist Images #2 →