Category Archives: Orientalism

Tabsir Redux: With Kitto Illustrating Bible History

As a child I spent many inquisitive hours leafing through the books in my grandmother’s parlor bookcase. One that especially attracted my attention was John Kitto’s An Illustrated History of the Holy Bible (Social Circle, Georgia: E. Nebhut, 1871). Rev. John Kitto, recognized on the title page as author of the London Pictorial Bible, the Cyclopedia of Biblical Literature, ETC, ETC, retells the entire history of the Old and New Testament, from creation to the destruction of Jerusalem. Kitto was born into poverty in 1804 in Plymouth, England and due to an unfortunate accident ate age thirteen became entirely deaf and was forced into the poor house at the age of fifteen. This is quite an inauspicious beginning for a waif who went on to be a respected theological scholar. Through the local humanitarian efforts of several men in Plymouth, Kitto became a lay missionary to Malta and then for three and a half years in Baghdad. “While residing in that city,” writes Alvan Bond in the preface to Kitto’s book, Cairo “was visited by the plague, the terrific ravages of which swept off more than one-half the inhabitants in two months. Amidst this fearful desolation he remained calm and active at his post.” Once back in England he married and produced a travel account and several pictorial histories of the Holy Land. In 1844 the University of Giessen conferred upon him the degree of D.D. His ill health forced him to seek help in the spas of Germany, where he died after a mere half century in 1854. Continue reading Tabsir Redux: With Kitto Illustrating Bible History

Chamber Works from Mohammed Fairouz


Q2 Music Album of the Week for December 6, 2011 | Free Download of “Four Critical Models: III. Catchword An Oriental Model”
WQXR, Tuesday, December 06, 2011

There’s an embarrassment of riches on Critical Models, the debut solo album by 20-something composer Mohammed Fairouz. And yet the chamber nature of the record’s six pieces lends an unshakable sense of intoxicating intimacy.

A contemporary of Gabriel Kahane and Nico Muhly, Fairouz is a composer with an equally distinguished pedigree (he was one of Ligeti’s last students), but with a different brand of sound that replaces Muhly’s unabashed exuberance for introspective intensity and Kahane’s droll humor for incisive wit. Album opener Litany starts off with a whisper of flute, oboe and clarinet, before opening into a richly woven woodwind tapestry of neoclassical rhythms and unsettling fluid lines. The composition ends palindrome-like on the same subtle note that begins the four-and-a-half–minute work.

Litany sets the tone for an album that is a study in contrasts, full of setting and implied text that forms the basis to many of Fairouz’s works. Title work Four Critical Models careens between Fairouz’s dual identities as American and Middle Eastern, traditional and modern, with distinct references to Edward Said and his brand of orientalist studies (the captivating third movement, An Oriental Model, is most effectively schizophrenic). Continue reading Chamber Works from Mohammed Fairouz

A Madventure in Yemen


Take two rather weird Finns, a camera and a mountain of jocularity. The result is one of the stranger travelogues you will ever encounter: Madventures YEMEN. This film was made shortly after the attack on the U.S. Embassy in 2008. The two travelers are hardly experts on Yemen and much of what they say (about tribes and geography, for example) should be taken with a grain (at times a pillar worthy of Lot’s wife) of salt. But I love this film, once you get by the Ali-G-ness of the two f-ing (a word they use to the hilt) Finns. First, the cinematography is fantastic and you hear from a number of Yemenis, who often make far more sense than their guests. Second, it does not treat qat as a drug and the Yemenis come across as anything but the “terrorists” portrayed in the media. Indeed, at one point, the traveler Rika notes that despite the number of weapons in Yemen it probably has less crime than the country you are watching the film from.

Check it out and enjoy…

There are three parts to the film available on Youtube: Part 1, Part 2, Part 3.

If a young [Arab] man wants sex

Now that we are about to officially head into the Autumnal paradox of the Arab Spring, there is no limit to the excess of punditry about why it happened, is happening and will continue to happen. Back in February, the historian Bernard Lewis weighed in on the current uprisings for an interview in The Jerusalem Post (which, for those with any historical memory, is not your parent’s Jerusalem Post). The article begins with Lewis’s summation in a nutshell: “The sort of authoritarian, even dictatorial regimes, that rule most of the countries in the modern Islamic Middle East, are a modern creation,” he notes. “The pre-modern regimes were much more open, much more tolerant.” Ah, yes, that Golden Age of Islam when the caliphs of the Arabian Nights were the community organizers of their eras. Surely Al-Hakim bi-Amr Allah did not really mean to destroy the church of the Holy Sepulcher in Jerusalem a millennium ago. That “more open, much more tolerant” pre-modern political paradise is as absurd as the more common Islamophobic trope that Muslims have always ruled by the sword. Indeed, as Lewis notes, the modern dictators in the region are a modern creation, but (as Lewis does not mention) largely the result of Western carving up and interference after World War I.

But the part of the interview that is most telling is the Freudian framing of the Arab twitter generation. I note here the question from the interviewer and the response by Lewis:

As we look at this region in ferment, how would you characterize what is unfolding now? Can we generalize about the uprisings that are erupting in the various countries? Is there a common theme?

There’s a common theme of anger and resentment. And the anger and resentment are universal and well-grounded. They come from a number of things. First of all, there’s the obvious one – the greater awareness that they have, thanks to modern media and modern communications, of the difference between their situation and the situation in other parts of the world. I mean, being abjectly poor is bad enough. But when everybody else around you is pretty far from abjectly poor, then it becomes pretty intolerable.

Another thing is the sexual aspect of it. One has to remember that in the Muslim world, casual sex, Western-style, doesn’t exist. If a young man wants sex, there are only two possibilities – marriage and the brothel. You have these vast numbers of young men growing up without the money, either for the brothel or the brideprice, with raging sexual desire. On the one hand, it can lead to the suicide bomber, who is attracted by the virgins of paradise – the only ones available to him. On the other hand, sheer frustration.

The fact that a young man (or woman) in Tunisia, Egypt, Libya or Yemen cannot get a job and make a living at home is not the tipping point for Lewis; no, it is pure jealousy — give me hamburgers and blue jeans or give me death — don’t tread on my cell phone. Then there is that particular “another thing.” If as a young Arab man you can’t get laid, then you might as well go out in the streets and brave the dictator’s thugs and tanks. After all, unlike the casual West, you can only get sex in marriage and in the whore house. Continue reading If a young [Arab] man wants sex

Gems of Arabic Literature #3: On Sicily

With the virtual flood of book digitalization online quite a few obscure books are now available online either at archive.org or through Google. I recently came across a gem: a translation of a high school Arabic text used in Aden by the British at the start of the 20th century. The title page was shown in a previous post. The full text can be downloaded as a pdf here. The excerpt below is from Ibn Jubayr’s travel account of a visit to Sicily. The Arabic text of Ibn Jubayr can be downloaded in pdf form here. Since my grandfather (hence the name Varisco) came from near Palermo, I take great pleasure in providing his account here.


Continue reading Gems of Arabic Literature #3: On Sicily

Tabsir Redux: “when I asked him what a Moslem was”

According to all three major monotheisms even God needed time to take a rest and so the sabbath was created. With the spate of mosque bombings, torture of prisoners and outright mayhem dominating the news about the Middle East these days, it might help to sit back and read what the American humorist Mark Twain wrote about his Missouri-born creation Tom Sawyer set loose in the Holy Land more than a century ago. Continue reading Tabsir Redux: “when I asked him what a Moslem was”