Category Archives: Miniatures

The Game of Kings


This illustration from a Persian treatise on chess, possibly dating from the 14th century, is notable for its expressive faces that hint at the “different kinds of pleasantry and jests” Mas‘udi recorded as customary among players at that time in Baghdad.

[The latest issue of Saudi Aramco World has an interesting article on the history of chess in the Middle East. Here is an excerpt.]

The Game of Kings

by Stewart Gordon

Arab writers on chess acknowledge that the game spread west from Persia, probably soon after the Islamic conquest in the mid-seventh century. The Arabic term for the game was and is shatranj, a standard linguistic shift from the Persian chatrang, and all the names of the chess pieces (with the exception of the horse) are Arabic versions of their Persian names. As it spread, however, the game did not always find itself welcome. The Eastern Church at Constantinople condemned chess as a form a gambling in 680, and al-Hakim, the Fatimid ruler of Egypt, banned it in 1005 and ordered all chess sets burned. Continue reading The Game of Kings

Islamic Art at the Freer


Bottle made for the Yemeni Rasulid Sultan al-Malik al-Mujahid ‘Ali ibn Dawud,
Freer Gallery of Art, Washington, DC.

One of my favorite haunts in Washington DC is the Freer Gallery of Art, part of the Smithsonian row. It boasts an extraordinary collection of Islamic art, well worth viewing and reviewing. But why wait until a trip to Washington, unless you are still braving the leftover throngs at the upcoming inaugural? The Freer’s website hosts high-quality images of many of the objects in its collection. As a Yemenophile, one of my favorites is a beautiful glass bottle made for the Yemeni Rasulid sultan al-Malik al-Mujahid ‘Ali ibn Dawud, who reigned from 1322-1363. The bottle was crafted in Syria and is “enameled and gilt colorless honey-tinted glass” (Rosamond E. Mack, Bazaar to Piazza: Islamic Trade and Italian Art, 1300-1600, Berkeley: University of California Press, 2002, p. 118).

The flower that made men mad


Nazende al (Flattering Red) from ‘The Book of Tulips’ ca 1725

by Anna Pavord

But as in any love affair, after the initial coup de foudre you want to learn more about the object of your passion. The tulip does not disappoint. Its background is full of more mysteries, dramas, dilemmas, disasters and triumphs than any besotted aficionado could reasonably expected. In the wild, it is an Eastern flower, growing along a corridor which stretches either side of the line of latitude 40 degrees north. The line extends from Ankara in Turkey eastwards through Jerevan and Baku to Turkmenistan, then on past Bukhara, Samarkand and Tashkent to the mountains of the Pamir-Alai, which, with neighbouring Tien Shan is the hotbed of the tulip family.

As far as western Europe is concerned, the tulip’s story began in Turkey, from where in the mid-sixteenth century, European travellers brought back news of the brilliant and until then unknown lils rouges, so prized by the Turks. In fact they were not lilies at all but tulips. In April 1559, the Zürich physician and botanist Conrad Gesner saw the tulip flowering for the first time in the splendid garden made by Johannis Heinrich Herwart of Augsburg, Bavaria. He described its gleaming red petals and its sensuous scent in a book published two years later, the first known report of the flower growing in western Europe. The tulip, wrote Gesner, had ‘sprung from a seed which had come from Constantinople or as others say from Cappadocia.’ From that flower and from its wild cousins, gathered over the next 300 years from the steppes of Siberia, from Afghanistan, Chitral, Beirut and the Marmaris peninsula, from Isfahan, the Crimea and the Caucasus, came the cultivars which have been grown in gardens ever since. More than 5,500 different tulips are listed in the International Register published regularly since 1929 by the Royal General Bulbgrowers’ Association of the Netherlands. Continue reading The flower that made men mad

Dancing in the Garden


Scene from the Divan of Hafiz, Herat School, 1523, Freer Gallery of Art, Washington, D.C.

O beautiful wine-bearer, bring forth the cup and put it to my lips
Path of love seemed easy at first, what came was many hardships.
With its perfume, the morning breeze unlocks those beautiful locks
The curl of those dark ringlets, many hearts to shreds strips.
In the house of my Beloved, how can I enjoy the feast
Since the church bells call the call that for pilgrimage equips.
With wine color your robe, one of the old Magi’s best tips
Trust in this traveler’s tips, who knows of many paths and trips.
The dark midnight, fearful waves, and the tempestuous whirlpool
How can he know of our state, while ports house his unladen ships.
I followed my own path of love, and now I am in bad repute
How can a secret remain veiled, if from every tongue it drips?
If His presence you seek, Hafiz, then why yourself eclipse?
Stick to the One you know, let go of imaginary trips.

Hafiz, Divan, Ghazal 1

A 16th Century Caravan

The title of this watercolor painting by ‘Abdol-‘Aziz is “Zal is sighted by a Caravan” and is part of a scene from the Shahname in which the hero Rostam’s father, known as Zal, was born an albino and exiled by his superstitous father to the top of a mountain, where he was rescued by the legendary bird known as a simurgh. The caravan, shown here, saw Zal and reported this to his royal father, who was glad his son was alive and would be the ehir to the throne. The painting was done in Tabriz around 1525 CE.

Illustration from Abdolala Soudavar, Art of the Persian Courts (New York: Rizzoli, 1992), p.370.

Woman by a Fountain

We are accustomed to Persian miniatures which depict the “Oriental” face, but later Persian art at times draws on Italianate style. The example above is entitled “Woman by a Fountain” and was painted by ‘Ali-Qoli Beyg Jebadar, around 1660 ce, probably in Isfahan.

Illustration from Abdolala Soudavar, Art of the Persian Courts (New York: Rizzoli, 1992), p.370.

A Royal Ransom for the Book of Kings

Looking for the perfect Christmas or Eid present? Well, if you have little spare cash but love rare books, why not mortgage the farm and go for one of the most beautiful illustrated manuscripts of all time, The Shahnameh of Shah Tahmasb Safavi in its Houghton manuscript form. This facsimile set of two volumes was edited by Martin Bernard Dickson and Stuart Cary Welch in 1981 and published by the Fogg Art Museum of Harvard University. And it is available for only $1495.00 plus shipping. Here are the details and it can be ordered by clicking here:
Continue reading A Royal Ransom for the Book of Kings