As noted in a previous post, I recently went through a late 19th century scrapbook that belonged to my great, great aunt. She had cut out pictures that interested or amused her. Several of these have Orientalist themes. Sometimes a picture is worth a thousand words; other times the picture says enough for itself. In this series, I leave the image to speak for itself. If you would like to comment on what you see or imagine, please do so in the comments section.
For #2, click here.
Birth and Origin of the Pope by Lucas Cranach, illustration for Martin Luther’s “Against the Papacy at Rome, Founded by the Devil,” 1545
Satire is Religion
By Austin Dacey, Religion Dispatches, May 12
Scatological humor. Crude drawings mocking revered religious figures. I am speaking, of course, of Lucas Cranach’s Birth and Origin of the Pope [image above], one in a series of woodcuts commissioned by Martin Luther in the 1540s under the title “The True Depiction of the Papacy.†In it, an enormous grinning she-devil squats in the foreground, excreting the Pope along with a heap of bishops while in the background another infant pontiff suckles at the teat of a serpent-haired wet nurse.
Forget the South Park dust up; forget Everybody Draw Muhammad Day. If you want to see truly shocking anti-religious cartoons, you have to go back to the sixteenth century. Near the end of Luther’s life, his propaganda campaign against Rome grew increasingly vitriolic and his language grotesquely pungent. He took to calling his ecclesiastical enemies ‘asses,’ ‘dogs,’ ‘pigs,’ ‘blockheads,’ ‘basilisks,’ and ‘pupils of Satan,’ and the Pope himself ‘Her Sodomitical Hellishness’ and ‘fart-ass’ (no, it doesn’t sound much more dignified in German—fartz-Esel). Eric Cartman would be in awe. Continue reading Satire is Religion
As noted in a previous post, I recently went through a late 19th century scrapbook that belonged to my great, great aunt. She had cut out pictures that interested or amused her. Several of these have Orientalist themes. Sometimes a picture is worth a thousand words; other times the picture says enough for itself. In this series, I leave the image to speak for itself. If you would like to comment on what you see or imagine, please do so in the comments section.
For #1, click here.
As noted in a previous post, I recently went through a late 19th century scrapbook that belonged to my great, great aunt. She had cut out pictures that interested or amused her. Several of these have Orientalist themes. Sometimes a picture is worth a thousand words; other times the picture says enough for itself. In this series, I leave the image to speak for itself. If you would like to comment on what you see or imagine, please do so in the comments section.
Kimball Tobacco Company Factory (1846-1905) in Rochester, New York, published a series of “Dancing Girls of the World.” These appear to be from the late 1880s. Several of these purport to depict women dancing in the Middle East. But it seems the artist had never actually seen ladies of the exotic harem. Take a peek for yourself.
Continue reading Tobacco and Toe Stepping
Area: 219,000 sq. mi
Population: 2,750,000
Government: Absolute Monarchy
Scenes: Morocco Leather; City of Morocco; Street Scene in Morocco
previous post I began a series on coffee advertising cards with Middle Eastern themes. One of the most colorful collections is that provided by the Arbuckle Coffee Company. In my great, great aunt’s album there were several Middle Eastern and North African nations represented, but she did not have all the cards. Here is a final potpourri from Arbuckle’s 1889 series, starting with Morocco above. Continue reading Mocha Musings #4: Morocco to Afghanistan
Area: 63,800 sq. mi
Population: 4,490,000
Government: Absolute Despotism
Scenes: Merchants Buying Carpets
previous post I began a series on coffee advertising cards with Middle Eastern themes. One of the most colorful collections is that provided by the Arbuckle Coffee Company. In my great, great aunt’s album there were several Middle Eastern and North African nations represented, but from a different series than in the Arbuckle’s 1889 series. The 1889 version of Turkey is shown above, but my aunt’s version of Turkey is decidedly more imaginative:
Continue reading Mocha Musings #3: Turkey and Persia