Monthly Archives: September 2012

The Politics of Cinematic Hate

Yesterday was the 11th anniversary of the tragic loss of life on 9/11, the ugly outcome of hate in which people who had personally done nothing to offend the perpetrators lost their lives. Today we awake to hear that the American ambassador to Libya is dead; the American flag at the U.S. embassy in Cairo is torn to shreds. This is the same American diplomat who aided the Libyan revolution against Qaddafi; this is the same flag that is synonymous with the political notion of democracy. In both cases yesterday it was not a response to anything the United States government did or authorized, nor to any military action. A hate film, and a very poorly done one at that, had been posted on the Internet in which Islam and the prophet Muhammad are portrayed in an extremely negative way. The film, an excerpt of which can be seen here, is pathetic both as cinema and for its almost comical portrayal of Muslims. But it has provided an excuse for militants to once again harp on the specter of the United States against the Muslim world.

Were this film from a religious nutcase like Terry Jones, I suspect it would not have garnered as much attention. But it appears that the maker of the film is an Israeli backed by Jewish donors and promoted by an anti-Muslim Copt in California. How perfect is that for a conspiracy plot. Hateful films do not have to be good cinema to fuel hateful responses. But this time it is the role of the Internet that fuels the fire. Anyone can post a malicious film on Youtube and have it circle the globe in an instant. The solution is not to ban the Internet, which is impossible, nor to justify the actions of those who turn their anger into a killing spree. It is not possible to stop a Terry Jones from burning the Quran or any cinematic venom from being posted (at least temporarily), so the onus falls back on our own ethics. We need to think beyond the politics of hate, which have not been unleashed with a fury, to the politics of restraint.

Buried Cities Recovered #2


In a previous post I began a thread on a 19th century Bible Lands text by Rev. Frank S. DeHaas. This is a typical devout travel account for an American audience by an author who served both a political and religious role. The frontispiece shows the American consulate opposite the Old City wall, shades to come of where the American Embassy might locate if Romney is elected President in November.

Here is his Introduction…


Continue reading Buried Cities Recovered #2

Buried Cities Recovered


During the 19th century there was a flourishing genre of “Explorations in the Bible Lands.” As the geography and archaeology of the Holy Land came to light, often with only a modicum of scientific investigation, books flooded the market on how the remains and customs in this area were bringing the Bible to life for Protestants in England and America. Despite Mark Twain’s biting satire of the genre in his Innocents Abroad, the Bible Lands books piled on. One of these is Buried Cities Recovered by the Rev. Frank S. DeHass, who was appointed U.S. Consul to Palestine, where he lived for a considerable period. This was first published in 1882 and was in its 10th edition only two years later. The small print at the bottom of the title page says it all: “CONTAINING A FULL ACCOUNT OF EGYPT AND THE EGYPTIANS, RISE AND FALL OF EMPIRES IN THE LIGHT OF PROPHECY, AND WONDERFUL CONFIRMATION OF REVELATION BY LATE DISCOVERIES.” Such was the enthusiasm of Bible enthusiasts of the late 19th century.


The dedication of the book, reproduced below, is quite flowerly and hardly leaves anyone out, except perhaps the emerging higher critics of the Bible at the time.


to be continued

Hakadha (Thus Spake Zahed Sultan)


Zahed Sultan Releases ‘Revolutionary’ New Song & Music Video

Watch Zahed Sultan’s new ‘Like This (ha-ka-tha)’ music video on www.youtube.com/zahedsultan

Sign up on www.mousemusic.org and download free ‘Like This (ha-ka-tha)’ wallpaper for your computer.

Zahed Sultan announces the release of his new song & music video entitled “Like This (ha-ka-tha).” The song pays tribute to the social frustrations that have plagued the MENA region prior to the Arab Spring. In classical spoken-word Arabic, Zahed calls upon the Arab people to stand in unity, against tyranny, with a sense of civic pride.

In his music video, Zahed gives a gripping account of the revolutions as they sequentially unfold in each Arab country through use of raw-footage (shot by protestors with cell-phones) and stop-motion animation.

Be an active part of the change happening around you and share Zahed’s latest song & music video with your network!

About The Artist

Zahed is a music producer and social entrepreneur from Kuwait. He released his debut album “Hi Fear, Lo Love” on April 1st 2011and attained success with his 2nd single “I Want Her But I Don’t Want Her.” Parisian Dj, Stephane Pompougnac, featured the single on the internationally acclaimed Hotel Costes 15 compilation, which was released on Sept. 26th 2011. Continue reading Hakadha (Thus Spake Zahed Sultan)

Faith confronts culture in “American Dervish”


Author Ayad Akhtar, left

by JENNIFER S. BRYSON, Contending Modernities, August 7, 2012

American Dervish, by American actor and author Ayad Akhtar, is set in one of the many places in the world with vibrant Muslim communities. In this case: Wisconsin.

Akhtar skillfully develops wonderful characters. As I delved into this novel I kept wanting to find more and more time to read so I could find out what would happen to characters such as the main figure Hayat; Mina, a dear family friend; and Mina’s suitor, the kind Jewish doctor Nathan. Also, Akhtar powerfully tackles the serious, generally taboo topics of Jew-hatred and domestic abuse. (This courageous novel goes beyond abstract “anti-Semitism”; American Dervish confronts outright hatred and its real-life consequences.)

Quran “translation” conundrum

Along the way, American Dervish has one of the most interesting wrestling matches I’ve seen yet over whether or not to make the Quran accessible in languages other than Arabic for people who do not know Arabic. (While I as a non-Muslim am an onlooker to these intra-Muslim “wrestling” matches, I myself have sat through more than a few Catholic Masses in Latin trying to figure out why we weren’t using a language the people present would actually understand.) Continue reading Faith confronts culture in “American Dervish”

Ali Abdullah Salih: Not invincible, not invisible


A little over six months ago, Ali Abdullah Salih finally resigned himself to the fact that he was no longer wanted by the people of Yemen or the international community as president-for-life in Yemen. But instead of taking his stashed away millions to exile in Saudi Arabia, which has open-armed several past dictators with Muslim names, or bribing a poor country to host him and his family, he remains in Yemen. I suspect when someone is in power for as long as Salih was, that delusion is the normal path. Perhaps he thinks that if things keep on getting worse (ignoring the fact that the problems are largely his own creation), Yemenis will bring him back. Perhaps he has heard those Iraqis who say things were better under Saddam? Perhaps, but his delusion contributes to the problem as long as he is living in Yemen.

Salih played the “dancing on the heads of snakes” game throughout his tenure at the head of the Yemeni state. He built a family-run state, allying himself with tribal powerbrokers like Shaykh Abdullah al-Ahmar, and shaping the military into a private army. Corruption was rampant and few Yemenis were fooled by the state-tun media myth of Salih as the father of his country. His triumph of uniting north and south was a ruse from the start, extending his control rather than actually caring to build a united country. But his downfall is largely due to backing the extremists, the Jihadis back from Afghanistan, those whose ideology he could never uproot for his own advantage. When his troops took over Aden in the 1994 civil war, Salih allowed northern zealots to raze religious shrines and demolish the one beer factory in the country. As the zealots shouted “Allahu Akbar” the guy in the presidential palace could only think of himself as the “akbar.” Building a monster mosque in the capital, not unlike Saddam’s architectural piety, could hardly disguise the fact that here was a man who worshipped himself. He was not the first to do so, is not alone in doing so, and will not be the last. Continue reading Ali Abdullah Salih: Not invincible, not invisible