Category Archives: United Arab Emirates

In the steps of Ibn Battuta


Mackintosh-Smith in China

One of the most celebrated Arab travelers was the 14th century Ibn Battuta. For a book on the travels of Ibn Battuta, Timothy Mackintosh-Smith literally followed in the footsteps that the Arab savant had taken some seven centuries earlier. In addition to the book, a documentary film was made. An excerpt of the film on Tim’s experience int he Chinese city of Zaytun is available on Youtube and well worth watching. Other Youtube excerpts are on an Ibn Battuta shopping mall in Dubai and on Turkey. Vimeo provides access to the entire first part of the three-part series. For more information on the work of Mackintosh-Smith, check out his website. An earlier documentary on the English Sheikh and the Arab Gentleman by Bader Ben Hirsi is available in its entirely on Youtube.

Yemeni Artists


Yemeni artist Ziad Nasser al-Ansi, who won fourth place at the Dubai Cultural Innovation Awards, blends Yemeni architecture with local decoration and patterns. Above, al-Ansi’s painting that won the President’s Award in 2006.

Yemenis take home top awards at Dubai cultural competition

by Faisal Darem, Al-Shorfa, September 6, 2013

Yemeni Bassam Shamseddine was taken by surprise when his wife told him she had submitted his novel, “Laanat al-Waqif” (The Curse of the Stander), to the 2013 Dubai Cultural Innovation Awards without his knowledge.

A bigger surprise awaited him when his book placed fifth in the novel category, he told Al-Shorfa.

Shamseddine is one of three Yemenis who placed at the eighth edition of the awards.

Khaled Abdul Haleem al-Absi placed second in the short story category for his collection, “Wa Alam Adhaat Sihruha” (And the Pains Have Lost Their Magic), while Ziad Nasser al-Ansi placed fourth in the fine arts category.

The winners’ names were published in the September issue of the Dubai Cultural Magazine.

Awards were distributed across eight categories, including UAE cultural personality of the year, poetry, short story, novel, fine arts, dialogue with the West, theatre writing and documentary film.

“This is the first time I have taken part in a literary competition, and the award is a significant moral support for me to continue writing novels and stories,” Shamseddine said. Continue reading Yemeni Artists

A Tale of Three Coups

All eyes and ears are focused on Egypt with the ouster of President Morsi after massive street demonstrations and with the direct removal from office by the Egyptian military. Euphemisms and wishful political spin aside, this was a coup. The heads of state in the United States and Europe are now doubt breathing a sigh of relief, although watching a democratically elected leader pushed aside without ballots is not something to discuss very loudly in public. The pundits are weighing in on the failure of Morsi, that he failed to represent all Egyptians and was pushing too hard and too singularly for a Muslim Brotherhood agenda that would unravel decades of Egypt’s secular dynamics. Nathan Brown has an astute analysis at The New Republic. But missing from the headlines are two other coups that can be excused as non-coups. Last week the emir of Qatar, Shaykh Hamad, resigned and handed over control of the wealthy emirate to his son, Tamim, who has been well groomed for the job. Given that Hamad had come to power in a bloodless palace coup while his father was out of the country, this could be seen as coup avoidance. Obviously, father and son get along together quite well. But the third case was announcement of an attempted coup in the seemingly stable United Arab Emirates. On Tuesday, while crowds were milling in Cairo’s Tahrir Square and chanting for the end of Morsi’s regime, the Federal Supreme Court of the UAE announced that 94 Emiratis had been accused of plotting a coup. Some 56 were given jail terms of 3-10 years and 26 were acquitted.

Three coup scenarios in just a little over a week! Is this the eternal Arab Spring or just an “Indian summer” for the Middle East? Or should we rename the political tsunami that began in Tunisia and has spread across the region the “Arab springboard”? Continue reading A Tale of Three Coups

Deep Purple for your hijab


The Al-Ain-based Rock Band “Random Stars”

Where there is youthful fire, there is Smoke on the Water. I remember the first Deep Purple record I bought: Machine Head from 1972. The cover featured a blurry, almost metallic image of the long-haired heads of the band. The song that has since been immortalized describes a fire that destroyed a recording studio in Geneva. Where were these Deep Purple-ites to stay, since Frank Zappa was at the best place in town and the “Rolling truck Stones” were outside the Grand Hotel, which was empty and bare, but obviously full enough to record one of the classics of Rock.

Rock is about as Western as a person can get: sound tracks that serve as neoliberal commercialized crumbs that feed rebellious young people the idea that songs can substitute for real protest. And sex and drugs, of course. It is hard to imagine the band without the groupies, who at least in those days flocked like moths to a flame at every concert. Fundamentalist Christians were appalled, warned by their pastors that Rock songs played backwards held secret Satanic messages. The 1960s auto de fe had already consumed Beatles albums in Alabama. Janis Joplin was dead in 1970; the Lord finally gave her a Mercedes Benz as a hearse. Jimi Hendrix joined her the same year. Jim Morrison walked out of the door of life in 1971. Continue reading Deep Purple for your hijab

Too handsome for Saudi Women


Omar Borkan Al Gala

The news from the Middle East and broader Islamic World is as dismal today as it was yesterday. Syria continues to be a spiraling bloodbath, as does Iraq as we near the 10th anniversary on May 1 of the notorious Bush the Younger declaration of “Mission Accomplished.” Several hundred garment workers may have lost their lives in the collapse of an 8-story sweat shop in Bangladesh and the list goes on. There are times when those of us on the comfortable outside looking in need to take a breath and find something to laugh about in the onslaught of absurdity. The fact that yesterday I heard a lecture on Waiting for Godot is not entirely irrelevant for posting this blog.

For the Saudi purity police it seems that it is possible for a visitor to be so media-savvy handsome that local women need to be protected by deporting him. The case in reporting-stupidity point is about a certain Omar Borkan Al Gala, a fashion photographer, actor and poet from Dubai. England’s authoritatively silly tabloid The Sun carries the following subline: “THE internet is awash with speculation that one of the men deported from Saudi Arabia for being “too handsome” is a fashion photographer from Dubai.” For a pretend news source that Murdoch-murders the truth every chance it can get, there seems to be a voyeuristic fascination with Arab men’s bodies, including Saddam in his undies.

So is this guy really so handsome that he is a whipped-up man of mass distraction to the Saudi regime? Continue reading Too handsome for Saudi Women

Cinematic Contending with the Companions


As Ramadan for the Hijri year 1433 draws to a close, the violence between Muslims on the ground is paralleled by the violence about Muslims on the screen. The daily slaughter of Syrians, continued terrorist bombings throughout the region and the uncivil rebellion in Mali dominate the news, as such atrocities should. But cinema does not lag far behind in showing blood spurting out of bodies and broken bones, all in the name of politicized religion. I am not talking about The Expendables, where aging Hollywood superheroes unite to make themselves even more money, but a Ramadan television serial that has captured the attention of Muslims across the Middle East: a retelling of the story of the second caliph ‘Umar ibn al-Khattab. Click here for the trailer and here to watch Episode #2.

Premiering 36 years after Moustafa Akkad’s acclaimed The Message recreated the life of Muhammad without actually showing Muhammad, the serial ‘Umar in 30 episodes is a millions-of-megabucks production worthy of Cecil B. DeMille. The earlier film had the blessing of the major Islamic organizations, since it avoided showing an image of the prophet Muhammad. It was a bit eerie to see Anthony Quinn as Hamza constantly speaking to the camera as though the camera-not-very-obscura was in fact the Prophet. But this new film has been railed against by the Grand Mufti of Saudi Arabia and the sheikhs of al-Azhar because it dares to show an actor playing a companion of the Prophet, notably the caliph ‘Umar ibn al-Khattab. If it had been Saladin, that would be okay it seems. Continue reading Cinematic Contending with the Companions